TIFF
One of the more noticeable themes at this year’s Toronto International Film Festival was the…
With James McAvoy’s directorial debut, California Schemin’, we follow two young Scots as they scam their way into a record deal to launch their rap careers.
There’s usually no shortage of female filmmakers at the Toronto International Film Festival, and with the festival’s 2025 edition, that continues to be true.
While Driver’s Ed and The Ugly are vastly different films, both provide thoughtful social commentary on their respective issues.
Lloyd Lee Choi brings his feature film debut to Toronto, in what seems like a perfect home for a story about the immigrant experience.
For his first report from this year’s TIFF Soham Gadre takes a look at Levers, Copper and Mārama.
One would have to go all the way back to Pain & Gain in 2013 to find a dramatically inclined and nuanced performance from Johnson.
An energized ‘silent’ action film and a quirky narrative about a real life American who hid from authorities inside a local Toys”R”Us.
We spoke with Johnny Ma whose film The Mother and the Bear is a vibrant and unique film that points toward the evolving versatility of Canadian filmmakers.
Wilson Kwong spoke with writer Blessing Uzzi and director Afolabi Olalekan about their film Freedom Way and its powerful story on police brutality.
Film Inquiry soke with director Sook-Yin Lee really for the TIFF film Paying For it.
The Toronto International Film Festival brought quite the number of horror films this year. Kevin L. Lee reviews Heretic, Presence and Hold Your Breath.
Samir Oliveros spoke to Film Inquiry about his latest film The Luckiest Man in America.
Film Inquiry spoke with Edward Berger, director of Conclave, for the Toronto International Film Festival.
Both The Assessment and Emilia Pérez demonstrate the versatility of a festival like TIFF, which is always inclusive of all genres and subgenres of cinema.