TIFF
In her second report from TIFF Kristy Strouse reviews Susie Searches, The Blue Caftan and Subtraction!
As part of TIFF 2021, we took a look at The Power of the Dog, Benediction, After Blue, and Compartment No. 6.
Scarborough follows the lives of three families and expands on their struggles and triumphs as they navigate through adversity.
Jonas Poher Rasmussen’s Flee uses animation as a form of therapy for both its central subject and the audience.
With The Humans, director Stephen Karam uses cinematic space and language to transform his play into one remarkable film.
Just like the movie-within-a-movie style Hansen-Løve uses to tell the story, her latest film is a layered, intelligent work full of reflection about art, life, and relationships.
Film Inquiry sat down with Blaine Thurier and Alanna Bale sat down to their latest film, Kicking Blood, as part of TIFF 2021.
Ari Folman’s latest Where Is Anne Frank is a kaleidoscope of beautiful visuals and good intentions, even if some of them don’t exactly land.
Listening to Kenny G is an examination of what art is or should be, and details it through the lens of an artist who is not given the credit he deserves.
In the latest report from TIFF 2021, Wilson Kwong reviews the unique biopics films Spencer and The Eyes of Tammy Faye.
Kristy Strouse shares her first report with three films from Toronto International Film Festival, all female and directorial debuts.
Film Inquiry spoke with director Jean Luc Herbulot for his film Saloum, premiering at the 2021 edition of the Toronto Film Festival.
Grímur Hákonarson’s The County follows an Icelandic widowed farmer as she fights beauracratic corruption and injustice.
In the film’s approach to try depicting its scandalous central relationship as naturally occurring as possible, Wet Season sacrifices narrative or emotional thrust.
