United Kingdom
Prolific British writer-director William Nicholson’s Hope Gap is a charming, yet altogether bleak portrayal of a…
Overall, Downton Abbey’s worth as a film depends on your feelings towards the original show.
The Last Tree isn’t perfect, but it’s an honest and insightful coming of age story that deserves to find an audience.
A Shaun the Sheep Movie: Farmageddon feels messily reverse engineered, a lazy Spielberg riff forcibly created just to fit the punning title.
The inspirational story of a teacher reaching his or her students to help them succeed…
Much like Gallagher himself these days, Liam: As it Was is a tided up version of the rock-and-roll star’s story.
While it just never rises above mere pleasantness to be truly compelling, The Bromley Boys is entirely pleasant to watch.
Although an interesting snapshot of a mysterious figure, Unmasking Jihadi John lacks enough insight into either Emwazi or ISIS to make it a comprehensive guide on either topic.
Stephen Frears’ LGBT miniseries A Very English Scandal showcases his abilities as a director but also his recurring flaws.
With Happy New Year, Colin Burstead, Ben Wheatley has crafted a very funny, very real family drama that shows a simple universal truth: all families are weird.
Blinded by the Light is a fabulous ode to the power of music, and how our favourite artists come to define our lives.
Horrible Histories: The Movie – Rotten Romans delivers decent gags and a solid history wrapped up in a lightweight but semi-satisfying story.
Vital and essential viewing, Undercover In The Alt-Right has the potential to lead people more actively onto the side of peace, acceptance, and compassion.
Ashley Joiner’s documentary Are You Proud is a gateway into the history of LGBTQ+ rights, rather than a comprehensive study, which is understandable due to the format.
Pavarotti is at times hard to watch, but ever so entertaining and explosive exploring one of the most captivating and astonishing artists of the 20th century.