United Kingdom
The Souvenir is a refreshingly honest look at first love, class and privilege and includes a great performance by Honor Swinton Byrne. Janet Lee reviews.
Diego Maradona is another triumph for Asif Kapadia, offering something richer than the standard sports documentary.
For all its flaws, Girls Stroke Boy is a portrayal that is more progressive than a lot of current cinematic depictions of trans people.
Wonders of the Sea following explorer and filmmaker Jean-Michel Cousteau is well-intentioned but never a truly satisfying experience.
Rocketman is big screen entertainment done right, an inventive rock-opera that brims with energy and color.
Meeting Gorbachev is the latest documentary from legendary German filmmaker Werner Herzog. Read the review for more information on the fascinating man.
I Am Durán isn’t structured in the most cinematically exciting way but it’s a story that’s excitingly cinematic.
In Avengement, Scott Adkins graduates from villain status to unflinching antihero, transforming himself into a one-man trauma center.
Nowhere Boy is a coming of age biopic based off of the formative years of John Lennon’s life and his ensuing journey into rock and roll.
On May 17, Phoebe Waller-Bridge’s sarcastic anti-hero, Fleabag returns to the screen one last time,…
While Beats isn’t perfect, the cast is engaging and Welsh’s visual style is lively without falling into nightclub-style movie shot cliches.
Tolkien is competently made, beautifully visualised and at times even excellent, with Nicholas Hoult providing much needed heart in the lead.
Tell It to the Bees is a pretty dreary period piece, and one that doesn’t sit well in the current landscape of queer cinema.
Red Joan is suffocatingly mediocre, a political thriller with no interest in the politics of the story, or anything remotely thrilling.
Jessie Buckley is a star, and the fact she makes Wild Rose almost worth watching is testament to her skill as an actress.