Too often dry in its narrative construct, audiences will find little emotional investment in The Miracle Club.
Polite Society does have its flaws, yet the heart of the film shines so bright, it is easy to overlook them.
Have You Got It Yet is a vulnerable and intimate look at the rise of a band and the fall of a genius.
With Catching Dust, Stuart Gatt crafts a narrative tale around the explosive power of human emotion.
Padre Pio leans into its politics and historical fealty; the spiritual aspects are heady, abstract, and dense.
Breaking Infinity is an engaging, time-travel mystery that drops the viewer into the plot and keeps the intrigue flowing.
While the film may be what you expect, if you’re a fan of horror or Russell Crowe, or better still a fan of both, this movie is a must see.
Stalker dared to be better than just, “good.” It was great and kept me guessing throughout the entirety of its 90-minute runtime.
Some films aren’t able to spend millions of dollars on 60-second television ads and it’s up to real movie lovers to get the word out. Watch Enys Men.
Whether you’ve read it or not doesn’t matter anyway; the film is about the woman, not her novel- and Emily is a bold introduction to the writer.
Whilst some of Winners references and statements might not be evident to those unfamiliar with Iranian cinema, it has themes that are universal to all.
At a solid 93 minutes, director Oliver Park’s The Offering is a quick and creepy watch.
Ultimately, God’s Creatures is a well made, well acted piece of filmmaking, if only it was able to tie together its elements a little better.
Unwelcome works as a decent horror film in general, but with St. Patrick’s Day just around the corner, it takes on a new vibrancy of success.
Operation Fortune: Ruse de Guerre is not a movie we need per se, but for those enthusiasts of Guy Ritchie, it might have been just enough for them.