United States
The Browsing Effect is a movie that may appear shallow at first glance, but gradually reveals more hidden depths when you make the effort to look in further.
Donnybrook ends with a final battle for the ages. It’s just a shame that the road leading there is a miserable slog.
Good Boys is not for everyone, for it is messy and repetitive in what it’s doing, but it is also exceptionally funny, charming, and thoughtful.
A Madea Family Funeral is a message we need to hear, but sadly, the Hallelujah’s don’t come until the credits.
While Gloria Bell might be almost a carbon copy of 2013’s Gloria, the film demonstrates how much Sebastián Lelio has evolved as a director over the past six years.
The film’s attempts at multiple genres may not blend together, but the talented cast and direction by Chandor help raise it above its flaws.
Fast cars. Squealing tires. Roaring engines. Screaming fans — are all nowhere to be found in this dull as dirt car racing snooze-fest.
While groundbreaking or original, The Aftermath is worth seeing for the enticing performances and striking ambience that it establishes.
Just when I thought coming-of-age fatigue is about to kick in, Booksmart overwhelms with its confident energy and wisdom.
The Highwaymen is a well-intentioned Western drama that takes a new perspective on the Bonnie & Clyde mythology, but it needs another run at tightening the runtime.
The Kid, directed by Vincent D’Onofrio and written by Andrew Lanham, is a take on…
The Art of Self-Defense is not only a must-see, it’s an easy contender for the best film of the year so far.
Apollo 11 is a visually outstanding and remarkably visceral piece of filmmaking that pieces the much fragmented and daunting narrative together.
The Day Shall Come is so cartoonish that it just doesn’t feel believable or possible, let alone historical fact.
While Dev Patel brings the best performance possible, it’s hard to root for any characters in The Wedding Guest, with a story that never really knows what it wants to be.