United States
The Line is a well-oiled stress machine with its depiction of this pervasive, casually cruel facet of college life.
Common Ground is deeply impactful, becoming the vital eye opening documentary it needs to be.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
Fantastical yet relatable, Bucky Fucking Dent is a moving debut by David Duchovny.
Despite being better than previous entries, it still has some rust that holds it back from being anything more than an average summer blockbuster.
There’s lots of potential in Taylor Mac’s 24-Decade History of Popular Music, but only Taylor Mac fully lives up to it.
Sadly, the film’s attempts to generate tone and intrigue can’t overcome the obstacles of a weak, confusing script.
With the buzz surrounding the hype of the upcoming Oppenheimer, the lackluster representation of Richland weighs heavy.
If you like the stories of Stephen King or you just like to be scared, this is something you should really be checking out.
Street Fighter reminds us that even a bad movie can be loads of fun and make you feel like a little kid again.
Bad Things struggles with its interactions, yet excels in its horror.
From anger to frustration to tears, Take Care of Maya delivers a deeply affecting look at the breakdown of a family when another says its broken.
The spell Playland casts over its subject matter, an act of poetic reanimation, carries over to its viewers.
This is Not Financial Advice achieves its overall goal, without explicitly telling audiences the right or wrong way to embark on the financial market.
Against All Enemies is surprising in the emotions its garners from its audience, always resolute to is overall message, but unafraid to listen.