United States
The Black Demon is so bad that it actually ends up being great.
Padre Pio leans into its politics and historical fealty; the spiritual aspects are heady, abstract, and dense.
Unidentified Objects is a fantastic love letter to road films.
Grounded by the incredible performance of Sissy Spacek and the masterful direction of De Palma, Carrie is a horror masterpiece that defies convention.
Being Mary Tyler Moore not only is it full of personal remembrances, but it also her career that was so intimately intertwined with the rise of television.
Dazzling and wondrous, The Little Mermaid makes a solid transition to become a part of Disney’s live-action world of remakes.
Despite well choreographed action and a gritty performance from Jennifer Lopez, The Mother is not the Mother’s Day vehicle Netflix had hoped it would be.
With a fast-paced sense of humor, old-styled and eye-catching animation, and a stellar soundtrack, Cats Don’t Dance should have been a hit.
Beyond the North Woods offers hope for local, micro budget filmmaking to reinvigorate even the most familiar of premises, turning content back into art.
Giving Birth to a Butterfly is a story about the ties that bind us, to each other as well as to reality itself.
Ray Romano’s directorial debut Somewhere in Queens is a heartfelt story about family and going too far to protect those we love.
If “Still: A Michael J. Fox Movie” shows us anything, it’s the extinguishable spirit that has kept Michael J. Fox going for decades.
It Ain’t Over gifts us with a deeper admiration for what Yogi Berra did with his life in all its many facets.
The Guardians of the Galaxy Volume 3 is easily the best Marvel movie since End Game, with a special, emotional send-off.