United States
It all started with Brian de Palma’s Carrie, and Stephen King became a household name.
The Woman King is a powerful tale of sisterhood and freedom; freedom from patriarchal influences, freedom from slavery.
While The Other Side of Things succeeds as a love letter to the American Dream, it does not succeed as a film, feeling more like an advertisement.
While Student Body might not scare the average horror fan, it’s a good reminder of the untapped potential of how much sheer terror mascots can contain.
With a lack of dramatization in the story, Empire of Light only has its fantastic performances and technical components to keep it afloat.
Though it falls into some psychological thriller tropes, Baby Ruby gets its message across thanks to a phenomenal performance by Noémie Merlant.
Few movies at this year’s Toronto International Film Festival seemed to elicit as much division among viewers as The Whale. T
Do Revenge was a pleasant surprise, entertaining from start to finish.
While both Causeway and Aftersun are first time features by a promising young filmmaker steeped in examining our past sorrows, both do so in different ways.
All the Beauty and the Bloodshed is vibrant and incisive as a portrayal of art’s power in both directions.
Even if you can predict where the narrative goes, there is no denying that The Inspection carries a powerful story with an emerging voice of talent.
Big stars giving wacky performances in a Mediterranean locale is essentially all one needs to know about Glass Onion.
Clerks III may not have the best laughs of the trilogy but certainly has the most heart amid its sentimental nostalgia.
Luca Guadagnino’s Bones and All is a monumental statement on the beautiful powers of love bolstered by great performances.