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Edited from decades of footage that were self-shot by Kilmer himself, Val is an extraordinary piece of filmmaking.
Bright and peppy, The Wachowski’s Speed Racer is a bonafide live-action cartoon and well worth a second look.
With strong performances, The Power of the Dog delivers on its promise, offering a solid narrative tale of strength, masculinity and grief.
In this week’s installment of Horrific Inquiry, we take a look back at George A. Romero’s 1968 masterpiece, Night of the Living Dead.
The Velvet Underground wields the hands of time, recapturing and evolving into a time capsule of art within a new wave style of documentary.
With an eclectic cast and unique form of storytelling, The French Dispatch is one of the most light hearted ventures of the year.
The Many Saints of Newark, a prequel film to The Sopranos, never quite reaches the heights of its television show predecessor.
In the years since its release, Scream has proven itself to be a staple of a genre and an undeniable part of horror cinematic history.
Elevated by excellent performances, minimalist interpretation of the visuals, and sound design that is larger than life, The Tragedy of Macbeth soars.
In this Queerly Ever After we visit the 2013, Pit Stop: a simple, slice-of-life story about two men coming together amidst the backdrop of their small town.
With The Humans, director Stephen Karam uses cinematic space and language to transform his play into one remarkable film.
As it is, Cry Macho is the type of story that Eastwood has both told and portrayed better in the past.
From the ghosts that inhabit the home to the outstanding performance of Matthew Lillard, Thirteen Ghosts is sure to have a little something for all.
Denis Villeneuve brings Frank Herbert’s Dune – the best-selling science fiction novel of all time – to the silver screen.
The Card Counter, the latest film from writer/director Paul Schrader, is very much a companion piece to his earlier, existentialist efforts.