United States
For this Queerly Ever After, we take a look at the 2012 film Morgan.
Let Us In attempts to recreate the feel of classic horror properties for children, only the results are not creepy, interesting, or original.
F9 keeps to what the series does best: absurdly fun action and time spent with a family you root for, but it’s not the smoothest ride of the series.
As a portrait of one of the higher-profile fights to close the gender pay gap, it gets the job done with gusto.
In Lance Oppenheim’s playful and otherworldly documentary, we get a peculiar glimpse of the lives of people seeking to escape into something utopian.
Physical never loses sight of what it does best: exploring Sheila’s inner journey in a way that is both entertaining and compelling.
In the Heights follows a small corner of individuals as they face gentrification, immigration, and acceptance of self during the summer’s hottest days.
In Pray Away, viewers are led into the minds of those who founded, lead, and propagated one of the biggest conversion therapy developers.
While this remake may not be the first film that comes to mind this Father’s Day, it is an enjoyable horror film that lends itself to multiple rewatches.
In the documentary, The Sound of Identity, Lucia Lucas is the first transgender woman to headline a major opera production
Led by stellar voice-acting and an endless amount of charm and youthful spirit, Luca is Pixar’s simplest movie to date, but it’s simple done right.
Ryan Reynolds, Samuel L. Jackson, and Salma Hayek return in the crime-comedy, The Hitman’s Wife’s Bodyguard.
For its high-concept presentation, The Wanting Mare is not a very demanding picture but more of an invitation to a unique passion.
Looking back on Chris and Paul Weitz’s 2002 comedy About a Boy, one can’t help but find a perfect pandemic watch.
The Conjuring: The Devil Made Me Do It is a different breed of horror, but is still just as beautiful and engaging.