United States
While Twisters is pretty much exactly what you’d expect, it will warmly invite you into its merry world of meteorologists and storm chasers.
Forty-five years after Alien, cat people finally have a new horror movie with Michael Sarnoski’s “A Quiet Place: Day One.”
Part boxing movie, part familial drama, Bang Bang is further proof of Vincent Grashaw’s directorial expertise and a showcase for Tim Blake Nelson’s talent.
Viva is told by an indie woman director whose mise-en-scene and script pay tribute to classic musicals.
Overall, Longlegs is well-directed, artistically apt, and really, really suspenseful.
When I think of epic and intimate storytelling in animation, I think of The Lion King (1994).
The prevailing refrain of Thelma is how it supersedes expectations in all manner of ways.
Family Portrait captures the underlying sense of menace seeping into the monotony of everyday life that characterized the early days of the pandemic.
It has a lot of charm and it’s refreshing to see something playing by its own rules and not following a rigid formula.
Brats is a reminder old wounds can calcify and scab over turning into the foundation for something all the more beautiful.
From Tribeca Film Festival 2024, Soham Gadre takes a look at CHAMPIONS OF THE GOLDEN VALLEY, BAM BAM: THE SISTER NANCY STORY & THE WEEKEND!
Children in War contributes a clear-eyed, disciplined, and eloquently forceful rejection of every lie and excuse ever conjured for the justification of war.
Reading Rainbow cultivated an environment that was safe for kids and equally empowering — it engendered curiosity.
Wildcat becomes a lens through which to see beauty and empathize with one of our great American writers – and what a gift it is.
It’s truly difficult to qualify the beast of an experience that is Megalopolis, and because of that, there’s an undefinable elegance.