United States
Tokyo Cowboy is a bit shaggy in places, but we stick around for the character moments because they feel mostly benevolent and genuine.
Believer wields the Exorcist saga poorly by vomiting so much at the screen and leaving little more than a mess of themes and characters.
In Ferrara’s world of fatalistic nihilism in The Funeral, there’s no escape from life torments, and only death and self-destruction hold the key.
Director David Fincher returns with The Killer, a stylish thriller about an assassin played by Michael Fassbender.
It’s Friday the 13th – and Horrific Inquiry knew exactly which film it had to tackle!
In the latest report from LFF 2023, Paddy Wilson features vampires at Paul Mescal’s door and devils in David Dasmalchian’s studio – a divine combination if ever there was one.
The Fall of the House of Usher further solidifies Flanagan’s mastery of his craft and serves as a testament to the talent he surrounds himself with.
The Bikeriders film evokes an interesting time and place in US history, in which Nichols’ ensemble cast take big swings – and get big enough hits.
If Pixar’s latest offering suggested that Fire and Water can mix, the same can’t be…
With Priscilla, Sofia Coppola proves that she is the premier chronicler of what it feels like for a girl.
There are a lot of movies that like to take on public issues silently, hiding them in the background. Marisol is not one of those films.
Jonathon Glazer’s The Zone of Interest is a hauntingly reverberating film that will stick with its audience long after the film has concluded.
While The Wolf Man may not have stood that test of time, but it is a classic film that would lay the ground work for wolves to come.
In May December, there are more important things than the answers to Haynes’ litany of questions, which may frustrate some viewers.
Film Inquiry spoke with Gary Clark, Composer of Flora and Son!
