United States
While a narrative focusing on young women exploring their sexuality without judgment would usually be greeted with enthusiasm, CRSHD treads well-worn stereotypes.
At the end of the day, The Lovebirds feels like a bad first date. You go in full of hope and a mind for flirting and fun and leave without a meaningful connection.
Maintaining the humor of season one, the latest season of Ramy is also moving, heartbreaking, and relevant.
The State of Texas vs. Melissa unfolds slowly, meticulously and with intent as you witness a cinematic investigation unfold.
Whether you’re a fan of podcasts or adult animation, The Midnight Gospel offers a mind-bending experience to viewers that has not really been seen before.
Malik Vitthal’s Body Cam is a forbidding tale of revenge that comes at you with speciously righteous fury, and that fury lingers.
Through The Night is not just about a daycare, but about a broken system that forces parents to choose between their children and their livelihood.
Dangerous Lies isn’t a terrible film. If you set your expectations appropriately, it can actually be an entertaining movie.
Death of Nintendo doesn’t aspire to break any creative ceilings, but does perfectly fine within its own creative sandbox.
The Man with the Golden Arm’s outlawed aesthetic and spirit make it a tangible and lasting achievement.
Violence is key to the narrative of Grosse Pointe Blank, and it forces Martin Blank to contend with who he was and who he has become.
At 83 minutes long, Driveways is a mini marvel because it appears so slight yet bears manifold treasures.
Central Park, as a show, goes down like a Manhattan. Straight-up and smooth and quintessentially New York.
Unfocused to the core, Capone will leave viewers with more questions than answers.
Castle In The Ground is undeniably effective in its portrayal of the opioid crisis, but loses itself in its hopeless narrative. Maria Lattila reviews.