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In Episode 4 of Cosmos: Possible Worlds, we explore the life and legacy of the great scientist, Nikolai Vavilov.
I Still Believe’s Melissa is the manic Christian dream girl who tempts lovestruck men toward salvation.
Gavin Michael Booth faultlessly achieves the split-screen/single-take technique, while also exploring the matter of suicide with unadorned honesty.
In the third episode of Cosmos: Possible Worlds, we explore the Lost City of Life that covered our planet billions of years ago.
Episode 5 of Devs is a glimpse through time for our characters, utilizing impressive visual effects in the process.
Lost Girls is a grim picture that delivers a story that should be known, and for the performances alone, there is reason to check it out.
If you let yourself think about all the unknowns in the world, it can bring on a strange, existential panic, one that Upstream Color captures in a beautifully unnerving way.
Cosmos: Possible Worlds continues to present science exactly as it should be presented: as a critically important, yet fascinating journey of discovery and enlightenment, a candle in the darkness of our relatively short journey as a species.
While we’ve followed the bad batch for four episodes now, the reintroduction of Mace Windu and Obi-Wan Kenobi helps to signal to us that we’ve arrived at a new plotline.
For all of its faults, 10 Things We Should Do Before We Break Up will woo you into enduring this snapshot of a relationship set to fail.
Avenue 5 is adrift, not exactly voicing a perspective that feels fresh or relevant. It doesn’t know what it wants to be, leaving it stuck in an unsatisfactory middle.
All The Bright Places is a disservice to teen audiences who have longed for an honest depiction of serious issues like mental illness and suicide.
Drunk Bus is edgy and heartwarming, bringing powerful performances and an even stronger message to this coming-of-age film.
Despite Oy Vey! My Son Is Gay!! having a happy ending, it still serves up highly offensive and harmful gay stereotypes.
Through her creative direction, Nanette Burstein is able to tell Hillary Clinton’s story, the story of an insane campaign, and the story of women in politics.