United States
Star Wars traffics heavily in the tropes of “the hero’s journey,” and it has a rather neat analog in the patterns of Jewish immigrant literature.
Bad Boys for Life’s plot is straightforward, the action doesn’t push any boundaries, and yet you still leave having had a pretty good time.
Like A Boss may not be the best comedy of the new decade, but it is unquestionably an entertaining film that is worth the watch.
Featuring a solid turn from Justin Long, The Wave is a delightfully different drug comedy.
Let It Snow isn’t an overly ambitious film, but that doesn’t mean it’s not enjoyable.
If you see this streaming the next time you are surfing, Get Gone. There are other things to explore.
With no monsters to summon, The Outsider is not your ordinary Stephen King adaptation, death and faulty humans the true focus. Don’t be left out of HBO’s latest obsession.
A Danish gay spy thriller? That is based on a real life story? Amanda Jane Stern starts off her investigation into the truth of this story with a review of the film.
Troop Zero is a feel-good film in every sense of the word and it is the hope of this critic that people find and cherish this film.
Though featuring actors and events you’ve seen before, Mob Town should have been left on the shelves.
Code 8 is exhilarating, gruesome, and touching, and its unique premise may very well be appreciated across genres.
The best moment in this 2020 rendition of The Grudge is when the title card…
For all of its admirable intentions, the film’s flimsy storytelling does a disservice to Seberg’s legacy.
Spies in Disguise is an almost poetically appropriate summary of everything computer animation has become in the last ten or so years.
Togo’s fine, grainy exhibition of the Alaskan atmosphere is often breathtaking, yet its release through streaming may have sacrificed its beauty.