United States
While absolutely absurd, See You Soon is as sweet, fluffy and bad for your brain as cotton candy – and yet it’s also weirdly enjoyable for all of those reasons.
So while we did get some leads on our ongoing plot threads, The Boys continues to wallow in its worst tendencies.
The Peanut Butter Falcon is more interested in getting you to like it than in having much to say, and you know what, that’s okay.
Ode to Joy doesn’t really work as either an efficient comedy or drama (or even a bit of both), with the familiar beats and tropes lacking in any real thought.
By presenting a comedy with the formal elements of a slasher, Camp Wedding fails to be interesting or entertaining within either genre.
Surrealist comedy Nothing Really Matters involves nightmarish imagery and brimming uncertainty that makes you think of a David Lynch movie.
Another Life is a unique space drama, but unfortunately it fails to be an immersive experience like that of the genres it draws from.
There is no doubt that Cajun Navy is an important documentary, highlighting the efforts of ordinary people who strive to make a difference, and encourage everyone else to do so.
This Changes Everything is a documentary directed by Tom Donahue that examines and reflects upon the gender disparity within the entertainment industry.
It was kind of odd coming of age in the early 2010’s and seeing these ultra-fantastic teen stories, yet Palo Alto proved to be in a league all its own.
Upheld by two zestful leads, and polished production design, Lying and Stealing is almost the real thing, but oversells its value.
Despite the dwindling ending, Sword of Trust still manages please us with delightful and memorable performances from a talented cast.
Overlong, overblown, and painfully unfunny at times, Hobbs & Shaw is a misguided endeavor that struggles to offer a sense of fun.
Despite enormous potential, Supervized misses the mark and makes fun of its subjects instead of making something memorable. Adam Mock reviews.
