United States
Episode 6 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
Men In Black: International doesn’t work like it should, but Kumail Nanjiani is a standout in this mediocre entry to the franchise. Alex Arabian reviews.
Wade in the Water is raw, supplying dialogue that’s probably too forthright for Hollywood, but it also pulls off something inventive and darkly funny.
The Devil and The Lovers serve as a fascinating double-bill of Too Old to Die Young but it remains to be seen whether the series will grow into its own.
Katie Says Goodbye proves playing an uplifting song at the end of a film doesn’t resolve the absence of thematic meaning that was lacking throughout the entire movie.
Frivolous in treatment and a trailer more impactful than the film itself, Loners never understands its true potential.
Jeffrey fully embraces the AIDS contradiction of 1995, always teetering on the edge of potentially borrowed time.
While Head Count shows potential and has some really good high level thoughts, there’s just not enough scares to bring the film to life.
What’s Eating Gilbert Grape is a story of deep familial relationships suggesting the importance of understanding the struggles of mental health.
Directed by Deon Taylor, The Intruder treads into territory that is unfathomable for most of us and may not be the kind of place you want to stay in.
With audiences expectations through the roof, Dark Phoenix’s climatic conclusion is a forgettable blockbuster.
Episode 5 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
Despite the atheism and pure materialism in the world of John Wick, the bureaucracy of the High Table wields its power using the rhetoric of religion.
If Michael J. Gallagher continues to craft sharp, smart films like Funny Story, he may build his own unique place in current American indie cinema.
The Souvenir is a refreshingly honest look at first love, class and privilege and includes a great performance by Honor Swinton Byrne. Janet Lee reviews.