United States
With abundant humor and a gruesome ending, Ma is a knowingly silly horror film that allows Octavia Spencer to revel in the grime.
While The Sun Is Also A Star does its job, it falls prey to the humdrum curse of countless other romance films.
Poms might be predictable, but it makes up for it with tons of heart about this team of elderly cheerleaders. Marc Ricov reviews.
Echo in The Canyon is an ode to a time and place when the music coming out of Laurel Canyon defined the California Sound of The ’60s.
Long Time Coming is a deep heartfelt documentary displaying a world where MLB baseball was meant to reflect our society, yet proved a curious paradox.
Season 3 of Easy continues its success in telling stories bubbling over with realism – it ties up the loose ends, but leaves things complicated.
What happens to those without resources to evacuate a dying world? John Stanford Owen examines life and humanity in High Life.
Wine Country does what’s intended: there’s laughter, an abundance of touching moments, and an important contemplation on the bonds of friendships.
Though fundamentally flawed, De Palma’s latest film Domino offers fleeting glimpses of greatness that the iconic director once achieved.
The Proposal is a documentary that goes the extra mile portraying Jill Magid’s quest to access Luis Barragan’s archives. Frazer McDonald reviews.
Episode 3 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
Brightburn is a fun and thrilling experience that’s bolstered by a unique narrative and chilling performances.
Crisis Hotline is upsetting, but it vividly portrays how we can’t always control the outcome. Andrew Stover reviews.
While it would take the serious alienation, River of Grass has all of the seeds that would bloom into one of the 2000s greatest filmmakers.
Room For Rent is like the world’s worst filled donut; doughy and undercooked until you get to the sweet, jam-filled middle middle that is Lin Shaye and it’s all worth it again.