THE WAR BETWEEN: Redefining the Western



Kristy Strouse is the Owner/Editor in Chief of Film Inquiry,…
Arriving to select theaters this weekend, The War Between is not the type of Western that caters to expectation. There’s no relentless gunplay or chaotic spectacle. Instead, it moves like a slow-burning current, asking us to sit with the emotions driving choices, with the “what ifs” that mark every step in the midst of war.
It exists somewhere outside these confines: an anomaly. It holds the spirit of a Western but thrives as something else entirely: a character study, an exploration of human nature tangled with the expectations of society. It’s born to be a Western but refuses to stay in one lane.
Directed by Deborah Correa, a rare female voice in such a male-dominated genre, the film dares to be more and it succeeds. Correa shines in her set pieces, visual interpretations and internal strife. It’s about the inner turmoil as much as the outer conflict. The War Between is realistic in its approach, gorgeous in its design, and introspectively compelling.

And yes, it’s a western.
This is the story:
Set during the American Civil War, in the Arizona desert near Tucson we stare with Israel Terry (Damian Conrad-Davis) of the First California Cavalry who comes across Private Moses Jennings (Sam Bullington), a confederate soldier. While naturally pitted against one another they become stranded together and must cooperate to survive.
While is a film that isn’t for everyone there’s a silent comfort, a slow moving force that doesn’t intrude or require an elaborate fight sequence. If you’re expecting loads of action, you’ll be let down. Ron Yungul’s script is soulful and thoughtful, reminding us that we are not the labels or conflicts thrust upon us. We are more than the sides we’re told to choose, and The War Between digs into that space successfully.
There are some scenes that flow better than others and some supporting characters that could have used more dialogue and character building but our leads are fantastic.
While the lighting could have been improved in some shots, there is some beauty to behold in what Evan Jake Cohen and Correa has captured. It will test those that are a fan of consistent action, gunfire and mischief. However, if you take the time to experience the story, you’ll find the set pieces and acting encompass the time with an accurate gentility while also remaining centered and truthful. No one story is the same and The War Between begs to tell another.
It’s an encouraging and insightful story within the context of a war torn time. In many ways, this movie will leaving you contemplating: both our history and yourselves.
Conclusion: The War Between
Within every historical turmoil there is a truce, a boundary pushing opportunity for people to say “hey, I don’t agree” to the lines drawn. It’s inspirational and innately human.
The War Between may not break the wheel but it sure spins it. Watch the beautiful landscapes and take in the emotional journey on screen to appreciate the female eye in an overtly male genre.
We need more of it.
The War Between will be released in select theaters September 26th.
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Kristy Strouse is the Owner/Editor in Chief of Film Inquiry, writer, podcaster, and all around film and TV fanatic. She's also Head of Acquisitions at Tricoast Worldwide and is a member of The Online Association of Female Film Critics and The Hollywood Creative Alliance. She also has a horror website: Wonderfully Weird & Horrifying.