With a deep dive into the varied world of AI, A.rtificial I.mmortality isn’t a bad film, but it’s one that suffers from a lack of focus and depth.
To celebrate the end of a great cinematic year, our writers have compiled their top ten lists of the films of 2021.
In an isolated mountain village in 19th century Macedonia, a young girl is kidnapped and then transformed into a witch by an ancient spirit.
With A Hero, filmmaker Asghar Farhadi returns once again to the themes of societal strife that have run through his previous films.
The story is a prequel to the games, starring Holland as a younger Drake, showing us details of how he came to meet and befriend Sully.
With Black Christmas’ blend of sadism, camp and scantily clad women, the film finds the pulse of the American slasher.
This week, Jesse and his guests discuss three major new releases from the holiday season.
A writer loses her memory. Adrift in NYC, she connects with a group of teenagers – in conversations both real and imagined – and searches for a way home.
Merry Christmas, Mr. Lawrence is a beautiful film, and despite its grim subject matter, there is an underlying sense of warmth to it.
When a top-secret weapon falls into mercenary hands, a wild card CIA agent joins forces with three international agents on a lethal mission to retrieve it.
The Matrix Resurrections is a curious and fascinating sequel, one which is completely aware of its own existence but also confused about why it exists.
In a future where the government records dreams and taxes them, a dream auditor gets caught up in the dreams of an aging eccentric.
Emily Wheeler takes a deeper look at the quality of the editing used in the popular CBS reality show, Survivor, which just finished its 41st season.
Fledgling writer Samuel Liston is enlisted to write the biography of Floyd Deveraux, the enigmatic, middle-aged father of two.
This week, critic Josh Martin joins to break down two holiday releases from two major auteurs.