In DC, where superheroes feel like gods among men, Gunn brings Superman back down to Earth with his superbly humanistic directing style.
From sharp satire to raw emotion and meta-commentary, these three films take wildly different approaches to storytelling in this Sundance Film Festival.
Criterion has prepared a 4K Ultra HD Blu-Ray edition of Jean Eustache’s The Mother and the Whore, marking the first release of the film on the format.
With uninspired performances, bland writing, and half-baked plot twists, Flight Risk found its wings clipped before it ever had a chance to take off.
While quirky and strange are always welcoming qualities, they can also be quite risky. Wilson Kwong reviews Bubble & Squeak and By Design.
A Woman is a Woman has never looked or sounded better—but Karina’s effervescent charm remains the film’s most valuable asset.
While these three Sundance movies are narratively different, their female focus leaves this trio, all by female directors, a fantastic assembly of our talent in today’s industry.
Presence is not a good horror movie. Instead, the film succeeds as a melancholy drama.
Part of me did not want to write this. For one thing, despite it having…
From Sundance Film Festival, Jules Caldeira takes a look at Brides, Seeds, and Sugar Babies.
Miller’s Girl came and went like stormy weather, causing plenty of noise, drenching the world…
Aside from having a similar word in its titles, the following two films from Sundance…
Though these two films, “Didn’t Die” and “Rains Over Babel,” are very different stories, they are tied together by ideas of mortality.
These two documentaries take place on opposite ends of the Russian-Ukrainian war. Both are powerful, gripping films that must be viewed in today’s climate.
With Sunfish (& Other Stories on Green Lake), we have a Sundance newcomer in Sierra…