For his first report from Toronto International Film Festival, Wilson Kwong looks at two films based on true events.
In the New Republic era, a group of kids lost in the Star Wars galaxy desperately try to find their way home in Skeleton Crew.
On the last night of 1999, two high schoolers crash a New Year’s Eve party, only to find themselves fighting for their lives when Y2K becomes a reality.
Look Into My Eyes, the new documentary, looks at another way many people seek connection: appointments with psychic mediums.
The Melbourne International Film Festival is in its 72nd year with a program of global features, shorts, documentaries, VR experiences, and classic movies.
Red Rooms is hypnotic, eerie, enticing, and undeniably repulsive, a procedural with the stifling rhythms of an addiction story or a dream.
I’ll Be Right There showcases family drama and how, within that drama, there can be something to laugh and feel good about.
The “time loop” is a sci-fi cliché as old as the genre itself, but “Omni Loop” tries to put a new spin on the genre.
Nostalgia aside, Álvarez also has a knack for elaborate production design in addition to building intense action sequences and engaging characters.
Anna Kendrick directs and stars in the ridiculous true story of a serial killer who won a date on a TV game show mid-killing spree in “Woman of the Hour.”
The Becomers politely reminds us that being a human is fundamentally weird–– and yes, being a human in 2020 was especially weird.
If “Kraven the Hunter” can balance its identity and its obligations to the superhero genre, this film could find a spot in Marvel’s superhero box set.
Saturday Night is the story of young producer Lorne Michaels trying desperately to keep his new live TV show on the rails, 90 minutes to the premiere.
This is No Game: Why READY OR NOT Still Matters
Over time, the social commentary underlying the blood and gore of “Ready or Not” has increased in relevance related to our current financial predicament.