Arriving to select theaters this weekend, The War Between is not the type of Western…
Scrappy and befuddled though Megadoc may be, Figgis has captured something inexplicable, compelling, and beautiful seemingly despite himself.
It’s no surprise that voice acting has been utterly disregarded by the Academy throughout the years, and that needs to change.
The film was never distributed–– an oversight to her filmography that’s now, thankfully for Wishman heads, being rectified.
There’s usually no shortage of female filmmakers at the Toronto International Film Festival, and with the festival’s 2025 edition, that continues to be true.
While Driver’s Ed and The Ugly are vastly different films, both provide thoughtful social commentary on their respective issues.
Lloyd Lee Choi brings his feature film debut to Toronto, in what seems like a perfect home for a story about the immigrant experience.
Nobuhiro Yamashita’s Linda Linda Linda deconstructs the typical rhythms of the high school band movie
Michael Garcia’s debut feature focuses on the grief of struggling musicians and an A&R rep trying to make a comeback.
For his first report from this year’s TIFF Soham Gadre takes a look at Levers, Copper and Mārama.
Rabbit Trap is a visually satisfying film with a some interesting elements to play with and no propulsion whatsoever.
In Jacque Rabie’s debut feature Orchid, we witness what can happen when that infatuation is taken too far, and when a third person is added to the mix.
One would have to go all the way back to Pain & Gain in 2013 to find a dramatically inclined and nuanced performance from Johnson.
After collaborating for more than a decade, Bazuin and Werhun’s creative endeavours have culminated in a creatively charged feature-length film.
An energized ‘silent’ action film and a quirky narrative about a real life American who hid from authorities inside a local Toys”R”Us.