In what feels like a very natural fit, I’ll be pairing together two of the…
In this Cannes Film Festival report we take a look at Eddington and Two Prosecutors.
Both filmmakers return to La Croisette with fictionalized stories about real life issues at this year’s Cannes Film Festival.
A stunning snapshot of young womanhood in a very specific time and place, The Sealed Soil is a classic of world cinema that deserves to be discovered by new audiences.
From this Cannes Film Festival 2025, Film Inquiry screened Pale View of Hills and Sound of Falling.
Admittedly, I didn’t get into the Final Destination series until just recently, but of course I…
There’s something truly magical about the movie theater: the hush as the lights dim, the…
When Tom Cruise asks you to trust him one last time, it’s hard to say…
Pink Narcissus is a film that is of creative and inspirational importance, a literal relic of possibility in the realm of the visual image.
If there’s anything we’ve learned from movies and television, it’s that a beautiful locale is never quite what it seems.
A sprawling story, Caught by the Tides epitomizes what makes Jia Zhangke one of our most essential contemporary filmmakers.
Hung Up on a Dream is one of the better musical biographies I’ve seen in some time, and it’s because the story at its core is burgeoning with creative vibrancy, fraternity, and a joyous love of music.
Despite its curious premise, however, Absolute Dominion appears to pull every punch and kick it throws.
“Love Hotel,” a 1985 pinku film, stands as a funny little curiosity in the larger filmography of Shinji Sômai.
Film Inquiry spoke with the writer, director and star of GREEK MOTHERS NEVER DIE: Rachel Suissa.