Part boxing movie, part familial drama, Bang Bang is further proof of Vincent Grashaw’s directorial expertise and a showcase for Tim Blake Nelson’s talent.
Viva is told by an indie woman director whose mise-en-scene and script pay tribute to classic musicals.
A father takes his estranged daughter on a road trip in an effort to get her out of trouble. Along the way, their strained relationship is put to the test.
Overall, Longlegs is well-directed, artistically apt, and really, really suspenseful.
Sisi & I is a worthwhile look at her life through the eyes of another, even as it suffers from comparisons to similar work.
Despite its flaws, Six in Paris should fascinate fans of the French New Wave—or, really, fans of anything French at all.
Covers multiple families and a special place they inhabit. The story travels through generations, capturing the human experience in its purest form.
Devery Jacobs and Evan Rachel Wood star in the queer cheer drama “Backspot,” executive-produced by Elliot Page.
The Convert is a movie quaking with trauma and suffering.
In most, Shelley Duvall’s characters were defined by the strange, guileless naturalism she brought to her roles, exemplified most by her ability to talk.
The Bikeriders is a memorable addition to Jeff Nichols’ ouvre.
Mike is quickly thrust into the world of super spies when his high school ex-girlfriend Roxanne recruits him on a high-stakes US intelligence mission.
After Santa Claus (code name: Red One) is kidnapped, the North Pole’s Head of Security must team up with the world’s most infamous bounty hunter.