We take a look at three of South Korean filmmaker Hong Sang-soo’s films: Woman on the Beach, Hill of Freedom and Yourself and Yours.
Based on Bong Joon-Ho’s masterful film, the TV adaptation of Snowpiercer starts slow but builds to a fascinating finale.
Good Trouble is bursting with inspiration powerful and essential, strong enough to be more than just a flowery portrait.
Father Soldier Son offers you the opportunity to see why people join the Army rather than padding the film with patriotism or criticism.
Stephanie Archer takes a look at the two short films Josiah and Day Release which premiered at the Palm Springs International ShortFest.
Hulu’s Normal People doesn’t just transform sorrow into an affecting narrative; it creates beauty out of it.
Daisies is a must-watch for scholars of New Wave, for fans of artistic rebellion, and for lovers of absurdism.
Videodrome’s feverish portrayal of the seductive allure and caustic bite of media indulgence and hyperreality remains to-the-minute.
The Rental may lack a traditional killer, gore and even an ending but it’s a delicious tale of betrayal and paranoia.
A man retires to solitary life in the Norwegian woods after the death of his wife, but the past resurfaces.
The Sunlit Night its tale with a strange sense of quiet tranquility blended with underlying dismay without being cloying to its subject matter.
Irresistible seems too afraid of being part of the noise to pull those kinds of punches, and that costs the film some urgency.
Game of Death is a fun and gore-filled examination of horror and video game conventions that works well in its short runtime.
The tone of First Cow is warm and fuzzy until the very end that watching it unfolds is like going through a soothing meditation.
Daryl MacDonald spoke with Robert Picard about his work on Voyager and friendship with Spiner, to his musical background in theatre, and more!