A deeper look at the final moments of Moonlight and A Portrait of A Lady on Fire lead to a profound philosophy of acceptance applicable to everyday life.
Disappearance at Clifton Hill is at-times intriguing and often stylish, marred by its cliched insistence on making the audience question the authenticity.
Despite great moments of tension and a solid Joseph Gordon-Levitt performance, 7500 is a film of unfulfilled potential.
An ex-soldier, a teen and a cop collide in New Orleans as they hunt for the source behind a dangerous new pill that grants users temporary superpowers.
We’ve seen a direct correlation between the use of cell phones and increased awareness of and civic response to police brutality against Black people.
We take a look at three of South Korean filmmaker Hong Sang-soo’s films: Woman on the Beach, Hill of Freedom and Yourself and Yours.
Based on Bong Joon-Ho’s masterful film, the TV adaptation of Snowpiercer starts slow but builds to a fascinating finale.
Good Trouble is bursting with inspiration powerful and essential, strong enough to be more than just a flowery portrait.
Father Soldier Son offers you the opportunity to see why people join the Army rather than padding the film with patriotism or criticism.
Stephanie Archer takes a look at the two short films Josiah and Day Release which premiered at the Palm Springs International ShortFest.
Hulu’s Normal People doesn’t just transform sorrow into an affecting narrative; it creates beauty out of it.
Daisies is a must-watch for scholars of New Wave, for fans of artistic rebellion, and for lovers of absurdism.
Videodrome’s feverish portrayal of the seductive allure and caustic bite of media indulgence and hyperreality remains to-the-minute.
The Rental may lack a traditional killer, gore and even an ending but it’s a delicious tale of betrayal and paranoia.
A man retires to solitary life in the Norwegian woods after the death of his wife, but the past resurfaces.