Here is a look at the documentary finalists for the 67th edition of The Sydney Film Festival: Virtual Edition.
Spring Night, Summer Night serves as a remarkable example of why funding the preservation, restoration, and release of older films is so important.
A screenwriter travels to a remote house with his family so that he can write, but he soon regrets the decision.
Audiences are well-endowed with a suspension of disbelief, and we deserve nostalgic, beautiful, happy stories Like The Handmaiden.
Quiz may not be historically accurate, but by maintaining its ambiguity, Quiz manages to achieve something bigger.
I’m No Longer Here allows the heart to overpower technique, and resulting in a heart-warming tale of cultural identity and the lack of it.
Boaz Yakin’s Aviva is an experience not just in the crafting of relationships, but what goes on behind the scenes.
The idea of something as simple as Odd Dog being so funny, heartfelt, and poignant is refreshing on several levels.
Nobody knows what the future holds for AI but it will continue to evolve and show audiences new possibilities that were once unthinkable.
Lee Jutton spoke with Agnieszka Holland about her film Mr. Jones, the most surprising thing she learned while making the film, and the role of journalism in keeping democracy alive today.
With its diverse cast, well fleshed-out characters, and stylistic choices, Go Fish is a must-watch.
While it attempts to be timely and relevant, throwing jabs at a questionable leader, it leans on cheap humor and shallow narrative constructions.
Mr. Jones highlights the need for investigative journalism even in a world where hard evidence can be met with accusations of untruth.
Once told they’d save the universe, 2 would-be rockers find themselves as middle-aged dads still trying to crank out a hit song.
Luke Parker spoke with producers and stars of Mighty Oak, Carlos And Alexa PenaVega, the famed couple who know a thing or two about being child actors.