One of the biggest joys in watching Billions is witnessing the rivalry between Bobby Axelrod…
The final installment of the wonderfully light The Trip series has the same offerings fans can expect, with lots of new favorable additions.
Luke Parker recently had the pleasure of speaking with Norm Lewis about his experiences working on Da 5 Bloods, Spike Lee’s new film.
Da 5 Bloods is the first great Black Vietnam film, not just the first. It’s a movie whose modern envelope minces empathy and excitement within the unsung sacrifice of the African American soldier.
Cornel Ozies’ prescient and perceptive documentary Our Law is having its world premiere at the digital edition of this year’s Sydney Film Festival.
New Filmmakers LA hosted an online Q&A with Rachel Wortell for her film Romance Analyst, here’s our coverage.
Continuing her revolutionary depiction of real-time, No Home Movie epitomizes every quality that made Chantal Akerman’s cinema so groundbreaking.
Ariane Labed’s Olla tells an important tale of the migration of resourceful, young, Eastern European women into Western Europe.
Unlikely to convert any new fans to the series and even less likely to please old ones, Artemis Fowl is a passionless adaptation.
Oscar, a young boy, defends his best friend, Loux, and kills her abusive father in the process, forcing him to run away from his rural hometown.
Cinema is an incredible and invaluable tool for education, and we need it now more than ever.
Satyajit Ray’s Agantuk (The Stranger) attempts two examinations of India – one of gender dynamics and the other a much more philosophical look.
We are highlighting crowdfunding campaign picks from our friends at Seed&Spark. This week’s films (and one podcast!) run the gamut.
Musanna Ahmed spoke with director Steve Markle about his film Shoot to Marry and why this documentary was more challenging to put together than his previous one.
Next Door Spy is a timid animated film but may be just enough for the kids come quiet time.