Almayer’s Folly is a movie that quietly but forcefully acknowledges Chantal Akerman’s feminism, accommodating the racial imbalances with equal space as the gender dynamics.
As we wait for the next James Bond installment, we take a look back at the 1967 spoof: Casino Royale.
Die Beautiful offers a refreshing and invigorating perspective on life and death; the culmination of human experience tucked in a casket.
Inmate #1 is a powerful and poignant story with a fairy tale ending that will have you believing miracles really do come true.
The Old Guard delivera propulsive sets of action, plenty of over-the-top violence, and breathtaking vigorous energy from Charlize Theron.
Ava is a deadly assassin who works for a black ops organization, and when a job goes dangerously wrong she is forced to fight for her own survival.
In Taipei Story, Edward Yang depicts a life as complex as our own experiences, highlighting what makes human beings densely layered and unique.
Ahead of the film’s screening at this year’s Melbourne Documentary Film Festival, I had the chance to talk with director, Posy Dixon, about her documentary.
The acclaimed Melbourne Documentary Film Festival has arrived in the digital realm. Here are our selections for the top five:
Guillaume Pierret’s Lost Bullet is a wannabe Mad Max that takes in pride in flaunting its no-nonsense action movie tag.
The Truth is an impeccable and intimate view into the quietly tumultuous relationships between mothers and daughters and the shape they take into adulthood.
After a break up, a young woman decides to start a gallery where people can leave trinkets from past relationships.
Jaws is not only an eery reflection of the world we currently find ourselves in but a hopeful call to arms on how to work with each other.
At the center of Woo Min-ho’s The Man Standing Next lies a political scandal that has puzzled historians for decades.
Alex Lines spois with director Iván Castell about his latest music revival documentary The Rose of the Synths.