Despite feeling disjointed at times, Wake Up: Stories from the Frontlines of Suicide Prevention is a highly informative piece of filmmaking.
The Film Inquiry team gets together for a casual roundtable during which we discuss the films we loved as kids and whether or not they hold up.
Film Inquiry had the chance to speak with young star Chloe Coleman about her experience working on the Dave Bautista action-comedy, My Spy.
The films of John Singleton have provided thought-provoking stories, honest characters, and imagery that lingers well past each viewing.
Time and time again, filmmaker Cheryl Dunye has proven she can maneuver tight narratives and powerful messages with a shoestring budget.
As Clay and his friends say good by to Liberty High, so too do we to the relevancy and unrelenting focus of a series unafraid to look away.
Welcome to Chechnya is likely to be the most urgent documentary of the year, but makes many exploitative missteps along the way.
After a chance encounter at a wedding, things get complicated as the two leads are unable to escape the venue, themselves, or each other.
When Ferris Bueller’s companions surrender to the day and let themselves float down his wild river of experiences, they end up better for it.
Let’s demystify the process of screenwriting, and show you that it is possible to write a screenplay and do it efficiently in a way that makes you genuinely excited.
In celebration of Pride, Kino Lorber has released three early landmarks of queer cinema for streaming via its Kino Marquee initiative.
James Benning’s latest work examines the ghostly spaces of human inhabitation through its austere and formalist rigour.
A daughter, mother and grandmother are haunted by a manifestation of dementia that consumes their family’s home.
Kontroll may be subterranea, but it should remind us to keep close watch over the politics of our own transition now.
We spoke with actor John Hawkes about his recent film End of Sentence, how he approaches new opportunities, and even what he’s been reading lately.