An over the top, aimless blunder of foolery, Dreamland is remarkably disastrous yet instantly forgetful.
The Journey Is the Destination is vibrant, violent, and sad, but it celebrates Dan Eldon’s exceptional life well.
Retrocausality has a lot of pieces that could make both an interesting and philosophical character study but it is not executed well.
For this report from the virtual Sydney Film Festival 2020, we delve into thirteen of the short film finalists.
Having done everything from gangster films to gothic horror, Ferrara and Dafoe have captivated audiences with their deeper, arthouse works.
As an ending to the first batch of the season, the episode gives us exactly what we want: explosive anticipation of Bobby and Mike’s war.
Of all the crime films to emerge from the 90s, Carl Franklin’s neo-noir masterpiece One False Move stands as one of the forgotten gems.
Liberté is sexual, it’s arousing in respects, it’s taboo in many instances, but overall, it is grotesque and repulsive.
With just her voice and her eyes, Marlene Dietrich lays bare Lola’s body and heart in The Blue Angel – and we fall under her spell.
Betty is a perfect summer binge that will empower you to go pick up a skateboard and skate your way to the city with a group of friends.
Here is a look at the documentary finalists for the 67th edition of The Sydney Film Festival: Virtual Edition.
Spring Night, Summer Night serves as a remarkable example of why funding the preservation, restoration, and release of older films is so important.
A screenwriter travels to a remote house with his family so that he can write, but he soon regrets the decision.
Audiences are well-endowed with a suspension of disbelief, and we deserve nostalgic, beautiful, happy stories Like The Handmaiden.