We are very excited to announce that, as per June 1, 2020, Kristy Strouse is taking over as Editor-in-Chief of Film Inquiry.
Becky is an entertaining thrill ride but runs into trouble with its weak script and mediocre direction.
During WWII, a woman opens her heart to an evacuee after initially resolving to be rid of him in this moving journey of womanhood, love and friendship.
Fleabag portrays love in such a unique, true way that it takes several watchings to fully understand the depth of it. Are love and attention the same thing?
Zoey’s Extraordinary Playlist has it all: laughs, tears and great tunes, showing that it could be the best new TV show around.
F.W. Murnau’s undeniable classic Nosferatu is a chilling, unsettling experience and a true case of mise en scène artistry.
Proving that history is still relevant to the present, The Great is a unique period drama that is part entertaining, brutal, and raunchy all at once.
In Shawn Cauthen’s Netflix vs. the World, we witness the rise of Netflix from a fledgling startup to a producer of original content that wins Academy Awards.
Hopefully, Little Room can grow beyond a pilot, but in the meantime, it’s a great way to both enjoy new content and support Covid-19 relief funds.
In Part 1 of our coverage for Tribeca’s Narrative Shorts, there was everything one would expect – intrigue, heart, and catharsis – each wrapped in their own stories and own voice.
We spoke with Elia Suleiman about his newest film, It Must Be Heaven, and how his nomadic existence has influenced his work.
Jaddoland’s depiction of immigant life through imagery and meditations will echo throurh ghte hearts and minds of its audience.
New alliances are formed, things are moving fast, and the stakes are just getting higher each episode.
While it doesn’t boast any earth-shattering revelations, there is still so much that’s worthwhile about Laurel Canyon.
Full of innovation and imagination, The Vast of Night plays to the corners of the human mind that dare to dream and recoil from what we fear.