In the third episode of Cosmos: Possible Worlds, we explore the Lost City of Life that covered our planet billions of years ago.
If we remember to cling to the wonderful parts of these episodes, then we can get through this tumultuous season of RuPaul’s Drag Race.
In Earth And Blood, Said and his daughter Sarah lead a tough but good life, until one of their employees brings a stash of drugs to their property and the cartel along with it.
In Part 2 of The Plot Against America, David Simon and Ed Burns expertly weave together various character plotlines, all of which come to a head on the night of the Presidential Election.
Episode 5 of Devs is a glimpse through time for our characters, utilizing impressive visual effects in the process.
Lost Girls is a grim picture that delivers a story that should be known, and for the performances alone, there is reason to check it out.
We spoke with writer/director Deborah Kampmeier about her latest film, Tape, finding the female experience in film, the #MeToo movement and more.
Nina Wu tells a gripping tale, aided by a skillful filmmaker and an incredible performance. Its methods are surreal and dreamlike, but its final destination is painfully real.
Whatever cracks and uneven corners exist in Disappearance at Clifton Hill are easily glazed by a story that is good enough.
The objective of Luca Guadagnino’s experimental short The Staggering Girl is up for debate, which won’t be a problem for long-time admirers of the auteur’s style or share the same inherent love for high fashion.
If you let yourself think about all the unknowns in the world, it can bring on a strange, existential panic, one that Upstream Color captures in a beautifully unnerving way.
Cosmos: Possible Worlds continues to present science exactly as it should be presented: as a critically important, yet fascinating journey of discovery and enlightenment, a candle in the darkness of our relatively short journey as a species.
As No Time To Die’s release date was pushed to November, Jake Tropila takes this chance to revisit all previous James Bond films, starting off with Dr. No.
Chung takes heavy, economic, social, and intimate struggles of one middle-class family and trusts the audience to find something relatable and universal in their story.
Two very different recommendations from BFI Flare 2020: Evan Purchell’s explicit doc Ask Any Buddy, and Kelly Walker’s comedy drama My Fiona.