Hannah Gadsby’s NANETTE Is Not A Film, Here’s Why

Emily Wheeler delves into the hot topic of what exactly makes something a film – here using the example of Hannah Gadsby’s Netflix special Nanette.

Queerly Ever After #17: HAPPY ENDINGS SLEEPOVER (2019) Part 1
Queerly Ever After #17: HAPPY ENDINGS SLEEPOVER (2019) Part 1

A Danish gay spy thriller? That is based on a real life story? Amanda Jane Stern starts off her investigation into the truth of this story with a review of the film.

No Sympathy For The Shooter: Contrasting TARGETS (1968) & JOKER (2019) In An Era Of Mass Shootings
The Joker’s Smile, Part 1: The 20th Century’s Most Adaptable Character

In this three-part exploration of everyone’s favorite “agent of chaos,” we’ll explore how the Joker has become the newest champion of the 99%.

TROOP ZERO: A Love Letter To The Misfits
TROOP ZERO: A Love Letter To The Misfits

Troop Zero is a feel-good film in every sense of the word and it is the hope of this critic that people find and cherish this film.

DOLITTLE Trailer
DOLITTLE Trailer

In Dolittle, a physician (Robert Downey Jr.) discovers he can talk with animals. We take a look at the trailer.

Video Dispatches: BELLS OF ST MARY’S, ALL ABOUT EVE & AD ASTRA
Video Dispatches: BELLS OF ST MARY’S, ALL ABOUT EVE & AD ASTRA

This week, Shawn Glinis highlights the new home video releases of Ad Astra, Criterion’s release of All About Eve (1950) and Olive Films’ release of The Bells of St. Mary’s (1945).

JOHN MULANEY AND THE SACK LUNCH BUNCH: A Kid's Show For The Rest Of Us
JOHN MULANEY AND THE SACK LUNCH BUNCH: A Kid’s Show For The Rest Of Us

John Mulaney and crew have deftly crafted a funny look at being a kid, silly enough to be likable while endearing itself to our nostalgia for childish things.

Barry W. Levy & Helenna Santos Take Aim At The Multiverse With THE SHASTA TRIANGLE
Barry W. Levy & Helenna Santos Take Aim At The Multiverse With THE SHASTA TRIANGLE

Director Barry W. Levy and co-writer, co-producer and star Helenna Santos of The Shasta Triangle spoke to Film Inquiry about their new film, and the current world of low-budget, independent filmmaking.

UNDERWATER: Sunk By Familiarity
UNDERWATER: Sunk By Familiarity

Underwater isn’t an outright disaster, but it’s not a diamond in the rough, either.

MOB TOWN: A Film That Doesn't Live Up To Its Title Or Premise
MOB TOWN: Doesn’t Live Up To Its Title Or Premise

Though featuring actors and events you’ve seen before, Mob Town should have been left on the shelves.

BROTHERHOOD: Family and Society in Crisis
BROTHERHOOD: Family & Society In Crisis

A powerful and thoughtful short film, Brotherhood tackles complex themes of family and conflict with a muted elegance.

I LOST MY BODY: An Animated Reflection Of Life Affirmation
I LOST MY BODY: An Animated Reflection Of Life Affirmation

I Lost My Body leaves plenty to be interpreted and discovered by its viewers, making it one of the most thought provoking animated films of the 2010s.

Interview: Owen Trevor, Director of GO!

Ahead of Go!’s Australian theatrical release, we had the chance to talk with Owen Trevor about his new film Go!, how his experiences with Top Gear informed his approach to his feature-length debut and the influence of video games in his professional work.

CODE 8: Where Superpowers In Cinema Take A Left Curve
CODE 8: Where Superpowers In Cinema Take A Left Curve

Code 8 is exhilarating, gruesome, and touching, and its unique premise may very well be appreciated across genres.

Demand It! How PARANORMAL ACTIVITY Changed Film Marketing Campaigns
Demand It! How PARANORMAL ACTIVITY Changed Film Marketing Campaigns

In 2007, director Oren Peli spawned the multi-film, multi-million-earning Paranormal Activity franchise. Nearly thirteen years…