Episode 6 of The Outsider is a step in the right direction, the intoxicating dread and craft continue to permeate the show’s structure.
Sundance docs Bloody Nose, Empty Pockets and Acasa, My Home both investigate what happens when the only thing you’ve known to be your life and home suddenly gets stripped away.
Ahead of Fantastic Film Festival Australia’s February 20th launch date, Alex Lines previews two of its most eclectic entries: Nobadi from Germany and Diner from Japan.
Growing up outside of the US, Sean Fallon reflects on learning about the empathetic Mr Rogers through Marielle Heller’s acclaimed film.
What Love Looks Like brings very little to the table in terms of originality or likeability. You’ve seen it all before, done better, and in more captivating ways and with better acting.
As has happened multiple times throughout Homeland’s season openers, we’re presented with what may be a bait and switch.
After two weeks of what was beginning to feel like CSI: Picard, it was nice to return to something recognizably Star Trek in “The End Is the Beginning”.
A sadistic mastermind unleashes a twisted form of justice in Spiral, the terrifying new chapter from the book of SAW.
There really isn’t much subtlety to a boy-meets-girl story in which the girl has the ability to literally part the clouds and stop the rain.
The Rhythm Section has some enjoyable elements, but in the end, this mostly formulaic flick isn’t the female-driven spy thriller we’ve been looking for.
The Personal History of David Copperfield is a truly sincere retelling of Dickens’ story, one that taps into a new contemporary edge and presents itself in a distinctly cinematic fashion.
Brooklyn Nine-Nine continues to prove why it’s one of the best comedies currently on television with the premiere of its 7th season.
Film Inquiry is giving away one physical copy of Naomi McDougall Jones’ book, “The Wrong Kind of Women: Dismantling the Gods of Hollywood”! Enter the giveaway to make a chance to win.
The Jesus Rolls is a spin-off of The Big Lebowski centered on the notable bowler, Jesus Quintana; it’s starring, directed and written by John Turturro.
We salute Rudy Ray Moore, who had a wild idea, got his pals and like-minded folks together, wrangled some money, and went out to make a movie.