When a single mom and her kids arrive in a small town, they begin to discover their connection to the original Ghostbusters and the secret legacy their grandfather left behind.
We spoke with director Tom Cullen about his film Pink Wall, which is a worthy addition to the relationship drama canon that deserves not to be overlooked at the box office.
In the November Bollywood Inquiry, Musanna Ahmed covers new Bollywood releases Drive, Marjaavaan and Bala.
Kristy Strouse was able to chat with Justin Long about the making of the movie After Class, his love for film and his upcoming dream projects!
What You Gonna Do When the World’s on Fire is a showcase for filmmaker Roberto Minervini and a telling portrait of poverty in New Orleans.
Uncut Gems is powerful, almost masterful filmmaking from Josh and Benny Safdie and features a career-best performance from Adam Sandler.
Alex Lines spoke with director Ken Loach about his latest film Sorry We Missed You, about what drove him to make this film and finding moments of levity in his work.
Silicon Valley’s season 6 got the perfect ending, cementing it as one of the most impactful and highly relevant shows about the technological world.
In this episode, we got some of our best performances, most intense dialogue, and action sequences that keep you on the edge of your seat.
The Good Liar features great performances from Ian McKellen and Helen Mirren, but the film can’t overcome other problems. Chris Cassingham reviews.
Netflix is again spreading Christmas cheer in cringeworthy fashion with another festive addition to their platform: The Knight Before Christmas.
Gal Gadot is back as Wonder Woman, and one more solo hit should make her the unequivocal face of the DCEU.
We discuss the films Eternal Sunshine of the Spotless Mind and Arrival, in reference to how they deal with complicated ideas of fate and free will.
I See You is a well-crafted head-scratcher even if it doesn’t seem so at first.