Countdown is not aggressively terrible, but it’s life-threateningly dull.
If you have kids, don’t waste the time or the money, Arctic Dogs exists as an animated film that you should miss.
With so many great watches this year at Austin Film Festival 2019, Kristy Strouse is back with her second report.
Coverage of the 11th annual Milwaukee Film Fest opens with Aaron Schimberg’s Chained for Life…
Thanks to our friends at Magnolia Mae Films, Film Inquiry is happy to announce that we’ve got 2 DVDs to give away for The White Crow to our European readers!
Clement Tyler Obropta explores whether or not Scooby-Doo promotes racist messaging, and how it uses xenophobic thinking to power a praxis of politics for propelling the narrative.
A tremendous cast and creative team can’t help Modern Love from feeling a bit undercooked.
Boys takes a well-worn story of self-acceptance and turns it into a beautiful piece of internal struggle.
The short film Judas Collar poetically wields its message with an unspoken but clear affront to such violent practices, with beguiling results.
Terminator Dark Fate is a tentative move in the right direction for the series, acknowledging that the formula must be changed without fully pulling the rug out from under fans.
A charismatic New York City jeweler always on the lookout for the next big score, makes a series of high-stakes bets that could lead to the windfall of a lifetime.
Black And Blue is a surprisingly engaging cop thriller; it has some stellar performances, confident direction, and a sharp story to boot.
At the Sleepy Hollow International Film Festival, Jim Dixon had the chance to speak with legendary producer Edward R. Pressman.
Watchmen is a bit of a weird one right now. Looking back on these episodes it seems rather confusing, because that’s just how it is.
Watchmen is looking to be a thrilling and satisfying continuation of the world that changed the world 30 years ago.