Kairo’s ghosts aren’t unearthly terrors, but rather memories of people lost, without names or faces, silently preparing themselves for an eternity of death.
On Becoming a God in Central Florida reminds us that even though money is one of the most fundamental things in this life, it can also be a very venomous dagger that distorts your worldview.
In our final report from the 2019 New York Film Festival, we look at some of the amazing short films showcased this year.
By this episode’s completion, we now know everyone is on the hunt for revenge and a bloodbath. Who will be victorious in the great clash of 1989? Only one way to find out.
Steven Soderbergh is back with The Laundromat, a splashy, star-studded look at the world of obscene wealth and financial wrong-doing.
The potential lingers over Adopt A Highway like a dark cloud, ready to pour some nuance onto what becomes a rather muddled first effort.
A small-town Oregon teacher and her brother, the local sheriff, become entwined with a young student harboring a dangerous secret with frightening consequences.
The Horror of Dracula is one of the greatest horror films of all time. Or the last seven minutes are, at any rate.
In her latest report from the Toronto After Dark Film Festival, Bree Duwyn reviews Paradise Hills, The Furies and Making Monsters.
The Current War builds upon a solid narrative foundation by richly transporting the viewer to a pivotal and prescient time for humankind.
In his latest report from Film Fest 919, Josh Martin reviews Jojo Rabbit, Motherless Brooklyn and The Report.
François Ozon attended the Chicago International Film Festival to promote By the Grace of God . Here’s what he had to say about the film, its reception, and its relationship to his career and life.
Jim Dixon attended the Sleepy Hollow International Film Festival and spoke with Dark Shadows actress Kathryn Leigh Scott, and screened House of Dark Shadows.
By the time 3 From Hell winds to its conclusion, the little voice in my mind whispering “who cares” was a loud pleading yelp.
Andrew Emerson reports from the Chicago International Film Festival with seven reviews of big international festival hits and some smaller, indie gems.