While episode 2 of AHS 1984 provided new insights, more than enough questions arose as murder, secrets and terror lurked in the shadows.
Stephanie Archer reports from New York Film Festival with reviews of French films Zombi Child and Oh Mercy!
If you are looking for a new series to binge over and over again, John Green’s Looking for Alaska TV series might be for you!
In The Irishman, a mob hitman recalls his possible involvement with the slaying of labor union leader Jimmy Hoffa.
As fun as it might be to play a game of spot-the-Scorsese, it’s worth looking at each cameo with a more analytic lens. Read on to find out more.
Far from being moth-balled and prosaic, When a Woman Ascends The Stairs beats with the most devastating of lifebloods.
Gwen is an effective and daunting horror that engulfs its audience with perfect production design and cinematography that throw you into the eerie and frightening Welsh highlands.
Ryan Murphy’s first Netflix venture is a vapid political satire almost entirely void of humour and heart.
In this report from New York Film Festival, Brent Goldman sheds a light on some international offerings: Atlantics, Bacurau and Martin Eden.
The Melbourne Queer Film Festival (MQFF) is the largest queer film fest in the Southern…
Comprised as it is primarily of archival footage and talking heads collectively geeking out, it could be easy to find Memory: The Origins of Alien overly dry.
Slowly, over 11 years and 22 feature films, not to mention some admirable TV shows sprinkled in between, Marvel has been training audiences to return to their screens again and again.
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese is more so curated than directed by the cinematic icon whose name is in the title.
Ad Astra is not without its flaws, but Gray’s science-fiction endeavor is ultimately one of the best films of the year.
In the Shadow of the Moon joins the ranks of Equilibrium and the most recent Planet of the Apes trilogy as a politically motivated film disguised as a popcorn flick.