We spoke with Russian director Vladislav Kozlov about his film The Killers, for which he was awarded “Best Director” at Rhode Island International Film Festival.
Ever week, we take a look at an LGBTQ+ film that gave their characters a romantic happily-ever-after. This week: the German film Silent Youth.
Alex Lines reports from Melbourne International Film Festival and reviews three more films: Particles, Something Else and Iron Fists and Kung Fu Kicks.
It’s absurd and outrageous, and although sometimes that doesn’t work in favor of the jokes, Good Boys triumphs as a sweet coming-of-age story.
A couple’s first date takes an unexpected turn when a police officer pulls them over. Queen & Slim is directed by Melina Matsoukas.
Coming off the heels of an episode that re-shaped The Boys’ narrative for the better, “The Female of the Species” is another strong hour of television.
In this week’s Video Dispatches, we cover the home video releases of Ma (2019), The Reflecting Skin (1990) and Wagon Master (1950).
Jim Dixon spoke with director Shawn Ku about his latest film A Score to Settle, working with Nicolas Cage, regret and revenge and what the future holds next.
At once a period piece and a coming-of-age odyssey wrapped around a bizarre narrative about an antiquated medical treatment, The Mountain is Alverson’s finest film.
Kristy Strouse spoke with star, writer and director Camille Hollett-French about the creation of her three Her Story short films, her background and the inspirations that drive her.
One Child Nation is, without doubt, a criticism on blind acceptance of nationalism. In this way, it is an incredibly timely piece that absolutely must be seen.
In Unseen, best friends come across a legitimate-looking modeling contest on social media, only to be tricked into a dangerous scam.
Through a woman’s point of view and an unconventional definition of politics, For Sama proves more powerful and significant than many of its peers.
Although an interesting snapshot of a mysterious figure, Unmasking Jihadi John lacks enough insight into either Emwazi or ISIS to make it a comprehensive guide on either topic.
Brian Banks tries so hard to be deep and meaningful that it ends up falling flat and feeling corny.