Tigers Are Not Afraid is a standout film beneath the phantasmagorical flourishes is a story that is all too grounded in reality.
Kristy Strouse spoke with Bruce Dern about his latest film, Freaks, working with his young castmate, what he looks for in characters, and how things have changed for him over the years.
On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow. This is the trailer for Monos, the latest by director Alejandro Landes.
The writers of Film Inquiry discuss their favorite animated films, check out their picks and tell us: what’s yours?
The Art of Racing in the Rain tells us straight up that it’s made from the type of stuff that is designed in a lab to draw tears and whimpers.
American Factory excellently conveys the complexities of a culture clash, and is an insightful illumination of globalization.
Confused about its target audience, Angry Birds 2 fails to deliver the jokes or storyline bringing lttle more than a playlist and a star studded cast.
Portrait of a Lady on Fire is directed by Céline Sciamma – on an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.
The Day Shall Come is a dark, biting commentary on systemic racism of law enforcement and the weird Kafkaesque nature of the War on Terror.
After a turbulent season, The Handmaid’s Tale brings season 3 to a satisfying conclusion through the emotional journey and the performances that ground it.
Alex Lines latest festival report from Melbourne International Film Festival features reviews of The Lodge, Angel of Mine and The Unknown Saint.
Jawline is an honest and nuanced look at social media stardom and what it’s doing for young millennials and Generation Z.
Documenting the universal process of death is no easy task, but Alternate Endings find the perfect balance between exploration, education, and empathy.
We take a look at John Brahms’ 1940s trilogy of psychological noir and how they help can help us predict and understand fascist ideology and the alt-right.
Alex Lines covers the short film award winners of this year’s Melbourne International Film Festival shorts programme.