In our recap from the The Volvo Scandinavian Film Festival 2019, we cover two high-profile premieres: The Purity of Vengence and A White White Day.
Blinded by the Light is a fabulous ode to the power of music, and how our favourite artists come to define our lives.
Upheld by two zestful leads, and polished production design, Lying and Stealing is almost the real thing, but oversells its value.
Musanna Ahmed takes a look at two July Bollywood releases: Super 30 and Judgementall Hai Kya.
Soham Gadre takes a look at the offerings of international genre fest Fantasia Film Festival, reviewing Shooting the Mafia, The Moon in the Hidden Woods, The Miracle of the Sargasso Sea and House of Hummingbird.
Despite the dwindling ending, Sword of Trust still manages please us with delightful and memorable performances from a talented cast.
Overlong, overblown, and painfully unfunny at times, Hobbs & Shaw is a misguided endeavor that struggles to offer a sense of fun.
Palm Beach lacks a sense of purpose – that despite it brimming with a number of winning personalities, its just a shame that the film they’re in lacks one itself.
In Jojo Rabbit, a satire from Taika Waititi, a young boy in Hitler’s army finds out his mother is hiding a Jewish girl in their home.
We take a look at the recent home video releases of The Leopard Man, and De Palma’s Domino and Obsession in this week’s Video Dispatches.
Despite enormous potential, Supervized misses the mark and makes fun of its subjects instead of making something memorable. Adam Mock reviews.
Laura Birnbaum spoke with Chicago-based filmmaker, author, professor, and critic Michael Glover Smith about his films Cool Apocalypse, to Mercury in Retrograde, and Rendezvous in Chicago.
Luce is a fascinating and thrilling study of gender, race and identity with compelling performances from the cast. Brent Goldman reviews.
The Handmaid’s Tale “Liars” finally delivered huge moments that promise one thing: nothing is going to be the same.