Mr. Jones is a harsh, masterful film about being wary of the lies being fed to you by your media and your government.
Writer, producer and director Nicola Rose spoke to Stephanie Archer about her new shorts, Gabrielle and Into the Land of Moonstones.
Even with a few decent set-pieces and exceptional acting from the ensemble, The Kitchen is not the adaptation we deserve.
The Lighthouse tells the story of two lighthouse keepers on a remote and mysterious New England island in the 1890s.
Alex Lines spoke to Lorcan Finnegan, director of Vivarium, ahead of its showcase at the Melbourne International Film Festival.
Stephanie Archer spoke with writer/director Mike Doyle about his film Sell By, ice cream trucks and his success with diversity.
Captivating, heart warming and relatable, Sell By is the rom-com you didn’t realize was missing – and you will be thankful you found.
Two new shorts from director Nicola Rose, Into the Land of Moonstones and Gabrielle, tell us that it is important to remember that the sky is always blue.
Dora and the Lost City of Gold is a lot of fun for the whole family, striking a delicate balance between making fun of the original and honoring the healthy lessons it wanted to share to kids.
With The Handmaid’s Tale’s season finale right around the corner we can expect something big to happen, bringing us into the next season with a fury.
Stephen Frears’ LGBT miniseries A Very English Scandal showcases his abilities as a director but also his recurring flaws.
Where the company has become an auteur-like entity synonymous with good, cheap thrills, The Keeping Hours just isn’t scary enough to live up to Blumhouse’s horror brand.
Queerly Ever After is a bi-monthly column where I take a look at LGBT+ films…
Certainly an ode to Jay Maisel’s life and career, Jay Myself is a celebration, remembering the life and work he created in The Bank.
Scary Stories To Tell In The Dark is an above average horror with inventive and fun monsters, but not enough character development.