Ash Is Purest White is a masterpiece of time and alienation. Aaron Berry examines the ways time affects the characters.
The Art Of Self-Defense is a dark, sharp and poignant take on the current gender roles and expectations in society.
A Beautiful Day In The Neighborhood is based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod.
Can film capture national events, the feelings of a nation, or national change? Is there space for it in the age of blockbusters?
With the Cohen Film Collection’s release of Sherlock Jr. and The Navigator, both of these films are brought to life in such clean and remarkably crisp restorations.
The Boys is a bizarre mishmash that leads to some mishandling of sensitive material and a strange tonal dissonance throughout.
Horrible Histories: The Movie – Rotten Romans delivers decent gags and a solid history wrapped up in a lightweight but semi-satisfying story.
Vital and essential viewing, Undercover In The Alt-Right has the potential to lead people more actively onto the side of peace, acceptance, and compassion.
Based on the story of iconic freedom fighter Harriet Tubman, her escape from slavery and subsequent missions to free dozens of slaves through the Underground Railroad in the face of growing pre-Civil War adversity.
Orange Is The New Black was never pitch perfect, but it hit enough high notes to make it count. Farewell, Ladies of Litchfield.
Bottom of the 9th may be plagued with a slow moving plot, it does have the characteristics of what makes a compelling sports drama.
Surviving Confession is very much a lively indie taking place in a lifelessly cramped setting, while bluntly speaking some commendable verities of being human.
The Current War admirably attempts to be something bigger than it ultimately is, with its A-list cast and interesting-but-misfiring style.
Skin manages a few gripping moments thanks to its cast but can’t string them together into something meaningful.
Even if Douglas doesn’t match its predecessor, the material is strong enough that it could still wind up being the second greatest stand-up film of all time.