In Video Dispatches, we cover some of the newest home releases. This week: Morituri (1965), Warlock (1959), and Bronco Billy (1980).
Romanian film I Do Not Care If We Go Down In History as Barbarians makes a bold statement about power and violence without resorting to fighting fire with fire.
Frankenstein’s Monster’s Monster, Frankenstein is a wonderfully absurd, surreal comedy, satirically captures the story of Frankenstein, and the confusion which comes with it.
Aaron Harvey spoke exclusively with Film Inquiry about his latest film, revenge thriller Into The Ashes.
A Faithful Man is a charming farce that only the French could pull off, combining all of the best elements of vintage romances with a thoroughly modern take on gender roles.
While Luz has all of the trappings of a horror film of yesteryear, it is clear that Tilman Singer is an exciting new filmmaker to watch.
While The Farewell brings the identity crisis that many immigrant families face to the big screen, it also is a true-to-life reflection of family dynamics that everyone can relate to.
From the first frame to the last, Firecrackers is clearly a story by women, about women, stubbornly through their gaze without regrets.
Molly Hewitt spoke exclusively to Film Inquiry about Holy Trinity, alternative sexuality, lifestyles and spirituality, and life in dystopia.
While some viewers could argue this Point Blank remake as passable entertainment, even at 80 minutes, your time is best spent elsewhere.
The staleness pervading PEN15 isn’t because every situation and joke has been tapped before, better, elsewhere — this material has been strip-mined.
Stuber isn’t a life changing film, but it’s a worthy addition to the buddy-cop comedy pantheon.