THE SPANISH PRINCESS (S1E6) "A Polite Kidnapping": Family First
THE SPANISH PRINCESS (S1E6) “A Polite Kidnapping”: Family First

Episode 6 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.

MEN IN BLACK: INTERNATIONAL: Thompson And Hemsworth Only Slightly Elevate An Awkward Script
MEN IN BLACK: INTERNATIONAL: Thompson & Hemsworth Only Slightly Elevate Awkward Script

Men In Black: International doesn’t work like it should, but Kumail Nanjiani is a standout in this mediocre entry to the franchise. Alex Arabian reviews.

WADE IN THE WATER: Artfully Measured Ounces Of Dark Humor & Solemn Drama

Wade in the Water is raw, supplying dialogue that’s probably too forthright for Hollywood, but it also pulls off something inventive and darkly funny.

TOO OLD TO DIE YOUNG (S1EP1+2): A City Bathed In Blood And Neon
TOO OLD TO DIE YOUNG S1E1&2: A City Bathed In Blood & Neon

The Devil and The Lovers serve as a fascinating double-bill of Too Old to Die Young but it remains to be seen whether the series will grow into its own.

The Manic Pixie Dream Girl: Trope or Mythos?
The Manic Pixie Dream Girl: Trope Or Mythos?

The manic pixie dream girl trope is indicative of sloppy writing and has become an easy way for Twitter users to dismiss complex female characters.

KATIE SAYS GOODBYE: An Absence of Thematic Meaning
KATIE SAYS GOODBYE: Substituting Masochism For Meaning

Katie Says Goodbye proves playing an uplifting song at the end of a film doesn’t resolve the absence of thematic meaning that was lacking throughout the entire movie.

LONERS: Political Satire? Kinda.
LONERS: Political Satire? Kinda.

Frivolous in treatment and a trailer more impactful than the film itself, Loners never understands its true potential.

THE THIRD WIFE: A Beautiful World Suffocated By Patriarchy
THE THIRD WIFE: A Beautiful World Suffocated By Patriarchy

With gorgeous cinematography, The Third Wife invites us into a broken world of arranged marriage and patriarchy in 19th-century Vietnam.

Queerly Ever After 2: JEFFREY (1995)
Queerly Ever After #2: JEFFREY (1995)

Jeffrey fully embraces the AIDS contradiction of 1995, always teetering on the edge of potentially borrowed time.

H IS FOR HAPPINESS Trailer
H IS FOR HAPPINESS Trailer

In H is for Happiness, a girl with boundless optimism is inspired by the strange new boy at school and sets out to mend her broken family.

Video Dispatches: Shout! Celebrates Pride Month
Video Dispatches: Shout! Celebrates Pride Month

Video Dispatches is a regular column featuring reviews of recent home video releases – this week, focusing on LGBTQ+ releases from Shout!

WHEN THEY SEE US: A Haunting, Vital Miniseries
WHEN THEY SEE US: A Haunting, Vital Miniseries

When They See Us may be Ava DuVernay’s finest work, telling a deeply human story about the way people of color have been and continue to be seen.

IN THE AISLES: A Bittersweet Glimpse Behind the Shelves
IN THE AISLES: A Bittersweet Glimpse Behind the Shelves

In the Aisles takes audiences deep into the emotional lives of people who seem destined to hover on the periphery and highlights the beauty to be found there if one bothers to look.

HEAD COUNT: A Horror That Never Finds Its Footing
HEAD COUNT: A Horror That Never Finds Its Footing

While Head Count shows potential and has some really good high level thoughts, there’s just not enough scares to bring the film to life.

Sheffield Doc/Fest 2019: Part 1: FOR SAMA, WAR OF ART, SEAHORSE & More
Sheffield Doc/Fest 2019: Part 1: FOR SAMA, WAR OF ART, SEAHORSE & More

Musanna Ahmed shares his first report from the 2019 Sheffield Doc/Fest, with reviews for Diego Maradona, War of Art, One Child Nation, Seahorse & more.