Subversive, icky and incessantly spellbinding, writer-director Anthony Stabley operates artistically well in Everlasting.
Young adult love stories will always have an audience, but After was trite, formulaic, and lacking in any kind of sparkle.
We sat down with Nick Borenstein, writer, director and star of shorts Sweater and 99, both featured in the N.O.W. section at Tribeca Film Festival.
In our first short film recap from Tribeca 2019, we review The Neighbor’s Window, Bunker Burger, Momster, 40 Minutes over Maui, Zero, 99 and Sweater.
While bowing out to a mostly satisfying conclusion, Shadowhunters did enough to quench our desire for more.
Like Miyazaki, Kosaika focuses on growth as a result of loss and ties it with the spiritual and fantasy world in Okko’s Inn.
Straight from Tribeca 2019, Kristy Strouse reviews Two/One, A Day in The Life of America, The Kill Team and spoke the cast and director on the red carpet.
In The Farewell, when a Chinese family discover their grandmother has only a short while left to live, they schedule a wedding to gather before she dies.
Beyond catchy scores or bad special effects or bloody fun, shark films have a great deal to say about our own anxieties on commercial exploitation of the environment.
Tell It to the Bees is a pretty dreary period piece, and one that doesn’t sit well in the current landscape of queer cinema.
The Chaperone is a film that’ll be gone by the month’s end, swallowed by the studio system and erased by this year’s loaded summer season.
Despite few releases due to Avengers and politics, cinemagoers were served with two major Bollywood releases this month: Romeo Akbar Walter and Kalank.
We were able to speak with Monique Sorgen, writer and director of the independent short film Sorry Not Sorry.
Diamantino is too insufferably quirky to offer any meaningful statement on the socio-political issues it references.
Plus One is a perfectly serviceable and adequate romantic comedy; it has moments that charm and promising performances.