Willem Baptist has crafted a documentary that feels rooted in both avant garde film and the spirit of Polaroid cameras.
Is Pokémon Detective Pikachu a classic telling of the Pokémon journey? No, but is it a welcome glare of personality and hope? Absolutely.
Begging to be experienced, discussed, and remembered, Mosul follows a former CIA counter-terrorism officer documenting a journalist in war-torn Iraq.
In Sonic the Hedhehog, a cop in the rural town of Green Hills will help Sonic escape from the government who is looking to capture him.
The 27 Club is a cheaply made streaming title with little to no thought put into it – there was a seed of an idea here but nobody to tend the garden.
In this week’s Video Dispatches, we take a look at the recent reissues of the classics Wanda (1971), A Face In The Crowd (1957), and The Whole Town’s Talking (1935).
Game of Thrones’ bad writing of Sansa and Brienne and the racially fraught implications of the episode’s ending, make this episode a huge letdown.
From Mexico, to the Midwest to the Bronx, Lee Jutton reviews three wildly different coming-of-age films from this year’s Tribeca Film Festival.
Just Say Goodbye is a laudable strive to enlarge the implications and the all-inclusive consequences of suicide.
With the most creative kills anywhere, a deeper mythology, and great additions to the cast, John Wick: Chapter 3 – Parabellum is even more deadly and enjoyable.
Tolkien is competently made, beautifully visualised and at times even excellent, with Nicholas Hoult providing much needed heart in the lead.
The Biggest Little Farm is a gorgeous documentary on par with the raw beauty of Planet Earth or any other nature documentary.
Westerns are brilliant because, like all great genres, they possess a wealth of contrast; while…
Subversive, icky and incessantly spellbinding, writer-director Anthony Stabley operates artistically well in Everlasting.
Young adult love stories will always have an audience, but After was trite, formulaic, and lacking in any kind of sparkle.