Game of Thrones spent so much time drumming up the battle with the Dead, that everything that comes after will be second fiddle in intensity and importance.
We discuss the trend (and often, shortcomings) of truth-based horror, e.g. taking a folktale like La Llorona and making a horror film based around it.
Kathryn Leigh Scott, actress of Dark Shadows, talks about her role in the film and the upcoming documentary Master of Dark Shadows.
Lee Chang-dong’s masterful Burning is a pot of luscious ambiguity that has us pining for answers.
Top End Wedding is filled with all the romcom tropes and cliches you expect, but Wayne Blair’s film manages to sell this spin on the formula.
In The Dead Don’t Die, the peaceful town of Centerville finds itself battling a zombie horde as the dead start rising from their graves.
As with the girls at the center of this story, At the Heart of Gold is a documentary that people need to see, and to understand.
Black Swan analyzes the pressure of perfection that is forced upon women by society, highlighting its long-lasting detrimental effects.
In the latest of our Video Dispatch series, we discuss the recent home video releases The Mule, Dragged Across Concrete, and Blaze.
John Stanford Owen spoke with Eric Freeman, star of Silent Night Deadly Night, about the film’s cult following, a meme sensation and his latest script.
Wunderkind has solid ideas and the potential to be a potent political satire, yet it falls into the same trappings as previous episodes in the sense that its message is too obvious.
A rare superhero movie that highlights the ordinary alongside the extraordinary, Fast Color is a bold and breathtaking spin on the genre that deserves to be seen as widely as any movie released under the Marvel banner.
Watson is a vital showcase of the power a person can have to affect change and how far reaching that change can be to others.
If cinema is to survive as anything resembling what we recognise it as today, then major theatrical exhibitors need to stop pissing into the howling gale that is the streaming revolution.
Gabriela Lopez, star of The Browsing Effect, speaks to Jim Dixon about the realities of dating for millennials.