What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?
We take a look at the recently released first image ever of a black hole and how Christopher Nolan depicted a black hole so accurately in Interstellar.
Family doesn’t break new ground in the oddball, unexpected bonding comedy space, but it masters the art with a precise wit and efficiency that keeps it feeling fresh.
Our Planet showcases the natural beauty of our planet while offering a harsh reminder of the reality of declining habitats and wildlife populations.
Despite its Green Book-esque premise, Native Son creates a Chicago that draws the audience in with its effortlessly alternative pizzazz.
Donbass is the darkest of comedies, showing how wartime mania can fundamentally transform a nation overnight.
In a world where penguin movies are multiplying, it’s nice to see a penguin march to the beat of his own drum in Penguins.
A24’s films have produced countless conversations amongst Film Inquiry writers – here, they pick their favourites from the studio.
While there may not be enough time to deliver a satisfying ending, the epic conclusion we’ve been waiting for could be on the horizon.
Australian soccer comedy Back of the Net recalls other underdog sports films of the past, but without an ounce of creative inflection.
Dan Curtis was a fascinating and talented filmmaker, and Master of Dark Shadows helps fill an information void where he’s concerned.
The Silence is worth a watch because of Stanley Tucci alone, but if you crave a good film, just pick up a copy of A Quiet Place instead.
We are officially two episodes into the final season of Game of Thrones, with only four…
Thanks to our friends at Roadshow Films, Film Inquiry is happy to announce that we’ve…
In Domino, a Copenhagen police officer seeks justice for his partner’s murder by a mysterious man.