Female Human Animal is a unique experiment into pushing the boundaries of what is considered to be fact or fiction.
Level 16 is an excellent short film trapped inside a pretty good full-length feature. Its shortcomings hurt its long-term impact.
More of a Meh-vel than a Marvel, but this first Captain Marvel film gives hope for stronger sequels in the future.
The Wandering Earth may seem like one small step in the eyes of Western moviegoers, but it is one giant leap for Chinese cinema.
Katharine Hepburn, a four-time Oscar winning actress, appeared in 52 feature films in a career spanning over 60 years. We take a look at her legacy.
Everything about Leaving Neverland is designed to be uncomfortable, from the running time to the connection between the viewer and the film’s subjects.
With the end in sight, there seems to be trouble brewing from every angle for the Shadowhunters in the coming future.
Greta is an acquired taste that will frustrate some viewers while others will revel in its campy absurdities.
The Kid tells the story of a young boy who witnesses Billy the Kid’s encounter with Sheriff Pat Garrett.
Furie has severe pacing issues, but is saved due to the exhilarating showcase of Vernoica Ngo’s talents as an action star.
Darren Aronofsky’s Black Swan and Luca Guadagnino’s reimagining of Suspiria reinvigorate the very concept of body horror.
A movie mirror-image to last year’s First Reformed, Woman at War is a strikingly beautiful story of one woman’s desire to do good.
We were able to talk with Yen Tan, writer and director of the 1980s-set drama about AIDs called 1985.
Cinema has to be representative and challenge perceptions. How can films tackle gender politics successfully?
In the first of this series breaking down the best Simpsons episodes, Sean Fallon takes a look at season 4’s Last Exit to Springfield.