Love, Death & Robots was intended for a very niche audience, and for them it’ll prove a masterfully-crafted acid trip that makes for a cathartic experience.
While there was not much progression in the narrative in Shadowhunters’ “Beati Bellicosi”, there were epic pieces put into play.
The Highwaymen is a well-intentioned Western drama that takes a new perspective on the Bonnie & Clyde mythology, but it needs another run at tightening the runtime.
In Little, a woman is transformed into her younger self at a point in her life when the pressures of adulthood become too much to bear.
The Kid, directed by Vincent D’Onofrio and written by Andrew Lanham, is a take on…
While, Lincoln does shatter the stereotypical image we have of President Lincoln, it also adopts a worshipful attitude that undercuts its attempts to make him look like a human being.
Ash is Purest White is a simmering, heartbreaking story of a connection that perseveres, for better or for worse.
The Art of Self-Defense is not only a must-see, it’s an easy contender for the best film of the year so far.
After a 2 year hiatus, American Gods returns to form bring back element sof the show viewers fell in love with as well as giving room for others to shine.
Apollo 11 is a visually outstanding and remarkably visceral piece of filmmaking that pieces the much fragmented and daunting narrative together.
Evoking Candyman in this season, American Horror Story dredges up misplaced allyship and the appropriation of another’s culture and story.
The Day Shall Come is so cartoonish that it just doesn’t feel believable or possible, let alone historical fact.
Our quest to find the greatest Simpsons episode continues, with “A Streetcar Named Marge,” a parody of A Streetcar Named Desire.
While Dev Patel brings the best performance possible, it’s hard to root for any characters in The Wedding Guest, with a story that never really knows what it wants to be.
A pleasant surprise, Long Shot is an absolute must-see if you are a fan of Charlize Theron and Seth Rogen.