In the first of this series breaking down the best Simpsons episodes, Sean Fallon takes a look at season 4’s Last Exit to Springfield.
Films about serious illness have a tightrope to walk, to find the right balance for…
At this year’s Sundance Film Festival we sat down with To The Stars director Martha Stephens and leads Liana Liberato and Kara Hayward.
In The Highwaymen, a pair of police officers come out of retirement to catch the infamous outlaws Bonnie & Clyde.
In celebration of Valentine’s Day month, our writers decided to focus on romantic comedies for this staff inquiry. Here are some of our favorites.
While Riverdale’s “Bizzarodale” felt more like a stalemate rather than a progression of story, by the end, a new tumultuous future presented itself to viewers.
Friends of the pod, Jane and Brian, join host, John Mark Junkins, this week to recap the 91st Academy Awards Show!
With a strikingly effective energy of both heart and strident bitterness, Cat Sticks like the disease of addiction itself is conveyed in a wise and endearing manner.
Fighting With My Family is a lovely little British gem and while it’s not perfect, Merchant shows admirable potential as a director.
In Long Shot, a guy reunites with his first crush. When she makes a run for the Presidency, she hires him as her speechwriter and sparks fly.
Do we need to reassess our own reaction to extreme method acting and should there be a line, a limit, on how far actors should go?
The failure of They All Laughed marked the end of the New Hollywood era, but Bogdanovich’s screwball fantasy urgently needs a reevaluation.
1 Billion Orgasms feels like the behind-the-scenes footage that is supposed to accompany the feature presentation.
Under the Eiffel Tower just doesn’t have the spirit that a rom-com needs, feeling like a first draft that should have never seen the light of day.
After last night’s Oscars ceremony, we examine just how the Academy has struggled with their identity these past few years, now more than ever.