Who would have thought the embodiment of Satan would be seen as a pop culture icon in 2018, and his return to screens would bring a new outlook on the role of women in media.
It’s undeniably flawed, but considering its mindbogglingly low £2,000 budget, The Bastard Sword is an impressive achievement.
Storm Boy, an adaptation of a beloved 70’s Australian children’s book, succumbs to the powers of its own nostalgia.
Sullivan’s Travels may not quickly come to mind when watching Monsters, Inc., but after examining both films, there is a connection in not only their themes but their structures as well.
Misogynistic, anti-feminist, or simply a portrayal of women being intricate and completely human? An analysis of female psychopaths in cinema.
The Pinch is occasionally funny, occasionally violent, and occasionally surprising, which makes for a just about passable watch.
Lukas Dhont’s directorial debut, Girl, is one of the year’s most irresponsible films, and could have a negative impact on younger trans viewers.
In Us, two parents take their kids to their beach house, but their serenity turns to tension and chaos when some visitors arrive uninvited.
Lily, Amanda, Spencer, and Warren are all a bit bored. School sucks. Growing up isn’t easy. So they join the canon of bored white folks who look that boredom in the eye and turn to violence.
All the Devil’s Men is a montage of cheap jokes and even cheaper action sequences, offering nothing new to the espionage genre.
More so than the previous feature adaptation, Watership Down is a bold allegorical tale that is best kept from the eyes of younger viewers.
In Greta, a young woman (Chloë Grace Moretz) befriends a lonely widow (Isabelle Huppert).
One of the coolest fields of magic in Harry Potter is that of transfiguration: turning one thing into another. How does it relate to real life science?
For viewers tired of the gloom and doom of most superhero TV series, Marvel’s Runaways is more than worth escaping to.
Already considered by many as the worst film of all time, Holmes & Watson is likely to make even the least demanding cinema-goers feel as if they’ve had their intelligence insulted.