Fantasy and sci-fi films push our suspension of disbelief regularly – but can we complain about them being unrealistic if this is pushed too far?
Not only does Fyre tell an interesting story, but it tells it well; the whole ordeal is tense and hilarious in equal measure.
Impetus is a film for those dedicated to the filmmaking craft, and the unconventional ways it can be molded to create unique means of storytelling.
In Spider-Man: Far From Home, Peter Parker goes on a school trip to Europe with his friends. While abroad, he is recruited by Nick Fury to team up with Mysterio to battle the Elementals.
It’s that time again! The Film Inquiry team counts down their favorite films of 2018, describing in detail their #1 picks.
The Standoff at Sparrow Creek is a shadowy, overly serious affair, and every element of its narrative and craft reflects the film’s white-knuckle grip.
On the Basis of Sex is not likely to plant the seed of determination in the next RBG, as they don’t need pop feminist representations of even the most laudable of figures.
In High Life, a father and his daughter struggle to survive in deep space where they live in isolation.
Today we are going to look at the biotech tool called CRISPR that may have the potential to bring the future depicted by Gattaca to life.
Patrick takes a currently successful formula and twists it into an unbearably cutesy mess, created for shallow monetary gain from an indifferent public.
Glass may have been a film nineteen years in the making, but it feels superfluous and incredibly out of touch in a world littered with superhero films.
A thriller like Escape Room is a good time so long as you switch your brain to “just go with it” mode.
Close is frustratingly shallow, and in its breakneck pace leaves some of its character development in the dust, while trying to wring every bit of emotion out of its quieter moments.
We spoke with director Melissa B. Miller Costanzo about her new film All These Small Moments, and what inspired her to create this unique adolescent drama.
The conclusion to the animated trilogy, Godzilla: The Planet Eater, is as flawed and unsatisfying as the previous entries – and it might be the dullest of the bunch too.