American Horror Story’s “Traitor” was packed with old characters returning, answers and satisfying moments – yet there are still many questions that remain.
Bohemian Rhapsody provides casual fans with some raucous concert re-enactments, but those seeking insight into the band’s and particularly Mercury’s history should look elsewhere.
While the film possesses a level of craft and passion that cannot be ignored, Await Further Instructions is missing something vital: originality.
Ken Wiederhorn’s mostly forgotten 1977 film Shock Waves is an apt metaphor about the fear of a fascist planet.
Vox Lux is a weighty experience guaranteed to take a toll on viewers, both from its philosophical musings and its uncompromising look at 21st century violence.
If it’s undeniably riddled with imperfections, Apostle is still a worthy new venture from an abundantly talented filmmaker.
With the continuation of last week’s vibe, episode 7, “Down Like The Titanic” distributes another Shameless highlight of season 9.
Mario tackles the stigma of being a gay man in professional soccer with remarkable realism and heart, with what could have been excessively melodramatic or exploitative.
They Shall Not Grow Old is a major monument for our memory of the British soldiers who fought in WW1 and an enormous step forward in depicting history through cinema.
In Bird Box, a woman and a pair of children are blindfolded and make their way through a dystopian setting along a river.
Halloween ends strongly, which always helps, but the picture lacks imagination in too many other areas to have any lasting impact.
In episode 3 of Doctor Who, our characters are exposed to the racism of 1950’s Alabama, where the team rallies to keep history on track for the future of the Civil Rights Movement in the USA…
If you’re a fan or a newbie or just someone looking for a bloodbath of an action movie, move The Night Comes for Us to the very, very top of your list.
We spoke with Chicago International Film Festival Artistic Director, Mimi Plauché, about her experiences as artistic director and working in Chicago.
Stolen Daughters: Kidnapped By Boko Haram, directed and co-produced by Gemma Atwal, explores the history if abducted girls and the continued presence of Boko Haram in Nigeria.